"Desolate Paths" by Wayne Roberts had its release date on October 27, 2020. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Desolate Paths's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 14 in Analogue Reflections (Original Score) by Wayne Roberts. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Desolate Paths is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Desolate Paths by Wayne Roberts is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fracture | Robbie Redway | A♭ Minor | 3 | 1A | 126 BPM | ||
| Something in the Air | Steelfeather | F♯ Minor | 6 | 11A | 126 BPM | ||
| Our Time Will Come | ADONA | D Minor | 2 | 7A | 128 BPM | ||
| A frame Per Season | Surface of Atlantic | D Major | 3 | 10B | 137 BPM | ||
| This Is Where It Ends | Alice Boman | B♭ Major | 1 | 6B | 132 BPM | ||
| Jana | Irya Gmeyner, Martin Hederos | A Major | 2 | 11B | 32 BPM | ||
| Nobody knows. | Willis Earl Beal | A Major | 2 | 11B | 161 BPM | ||
| Pockets of Light - Excerpt | Lubomyr Melnyk | G Major | 2 | 9B | 113 BPM | ||
| Heksebryg | Halfdan E | F Minor | 3 | 4A | 174 BPM | ||
| A Good Harvest | Helen Green, Gian Marco La Serra | F Minor | 3 | 4A | 174 BPM | ||
| Take It All | Ruelle | D Minor | 1 | 7A | 78 BPM | ||
| The Loss | Irya Gmeyner, Martin Hederos | F Minor | 2 | 4A | 78 BPM | ||
| Eye For An Eye | Mags Duval | A Minor | 5 | 8A | 103 BPM | ||
| Paralysed by Fear | susie wilkins, Fired Earth Music | F Minor | 4 | 4A | 80 BPM | ||
| Siren Song | Three Laws | A♭ Major | 4 | 4B | 78 BPM | ||
| Coda | Rob Simonsen | F♯ Minor | 3 | 11A | 117 BPM | ||
| Perpetuum | Angus MacRae | C Minor | 3 | 5A | 128 BPM | ||
| Cruise | Raphael Lake | F Minor | 5 | 4A | 132 BPM | ||
| Like A Ghost | The Flight | G Major | 3 | 9B | 87 BPM | ||
| SAS S5 Exposure Intro | Wayne Roberts | F♯ Major | 9 | 2B | 123 BPM | ||
| I’ve Found Dan | David Martijn | E Minor | 0 | 9A | 71 BPM | ||
| Seemed A Better Way | Billy F Gibbons | B Minor | 3 | 10A | 106 BPM | ||
| Your Storyline's Never Told (End Titles) [feat. Tanya Tagaq] | Vince Pope, Tanya Tagaq | E♭ Minor | 2 | 2A | 111 BPM | ||
| The Journey | Ólafur Arnalds | F♯ Minor | 3 | 11A | 110 BPM | ||
| Maroon Wave | Joel P West | A Minor | 4 | 8A | 127 BPM |