Adarsh Shinde's 'Mora Piya' had a release date set for September 16, 2016. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Photocopy". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. In terms of popularity, Mora Piya is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Mora Piya by Adarsh Shinde having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dada Rubabdar | Adarsh Shinde, Tejas Ghule, Dhairya Ghule, Shivaji Jawale | B Minor | 10 | 10A | 120 BPM | ||
| Korlay Manan Ekvira Aaich Nav | Avinash Patil, Sonali Bhoir | D Major | 7 | 10B | 100 BPM | ||
| Shri Swami Samartha (From "Savita Damodar Paranjpe") | Adarsh Shinde, Swapnil Bandodkar, Amitraj | D Major | 6 | 10B | 122 BPM | ||
| Hich Amuchi Praarthana | Mugdha Vaishampain, Ajit Parab | E Major | 3 | 12B | 110 BPM | ||
| Vakticha Lagin | Akshay Anant Patil | G Major | 10 | 9B | 100 BPM | ||
| Saavar Re Mana - From "Mitwaa" | Jaanvee Prabhu Arora, Swapnil Bandodkar | C Major | 6 | 8B | 134 BPM | ||
| Koliwada Jhingla | Siddhi Ture | F Major | 9 | 7B | 130 BPM | ||
| Mani Nahi Bhaav | Abhanga Repost | C Major | 7 | 8B | 137 BPM | ||
| Sundara | Vijay Bhate, Harshavardhan Wavare, Sonali Sonawane | A♭ Major | 7 | 4B | 115 BPM | ||
| Ek Rambha Ek Raav - From "Raav Rambha" | Anandi Joshi, Adarsh Shinde, Amitraj, Kshitij Patwardhan | D♭ Minor | 5 | 12A | 136 BPM | ||
| Raja Manus Ha Dildar | Dj Aniket Nagesh, Pranav | A♭ Major | 10 | 4B | 100 BPM | ||
| Jarichya Cholila - Reprise Version | Ajay Kesbhat, Shubhangii Kedar | B♭ Minor | 3 | 3A | 180 BPM | ||
| Tola Tola | Amitraj, Bela Shende | E Major | 6 | 12B | 126 BPM | ||
| Tu Dur Ka | Rohit Patil | F♯ Major | 5 | 2B | 142 BPM | ||
| Dekh Tuni Bayko Kashi Nachi Rayni | Anjana Barlekar, Jagdish Sandhanshiv | E♭ Major | 10 | 5B | 172 BPM | ||
| Patlancha Bailgada | Radha Khude | D♭ Minor | 9 | 12A | 105 BPM | ||
| Julali Gaath Ga - From "Makeup" | Shalmali Kholgade | C Major | 7 | 8B | 128 BPM | ||
| Mazhe Tuzhe | Nihar Shembekar, Sharvari Deshpande | G Major | 4 | 9B | 148 BPM | ||
| Tula Pahata | Hrishikesh Ranade | B Minor | 5 | 10A | 145 BPM | ||
| Faas - Title Track | Adarsh Shinde | B Minor | 3 | 10A | 74 BPM | ||
| Ye Go Ye Ye Maina - From "Jatra" | Ajay Gogavale | F Major | 8 | 7B | 120 BPM | ||
| Jagana He Nyara Jhala Ji - From "Hirkani" | Amitraj, Madhura Kumbhar | C Major | 10 | 8B | 98 BPM | ||
| Pori Tujhe Nadan | Prashant Nakti, Sonali Sonawane | F Major | 9 | 7B | 89 BPM | ||
| Gurupurnima - From "Dharmaveer" | Manish Rajgire | A Major | 8 | 11B | 104 BPM | ||
| Ka Kalena Male | Avinash Vishwajeet, Swapnil Bandodkar | C Major | 7 | 8B | 124 BPM |