"Otoño porteño" by Hyperion Ensemble had its release date on April 15, 2005. This song is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The song is number 5 out of 13 in Corso Buenos Aires by Hyperion Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Otoño porteño's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Otoño porteño by Hyperion Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Taquito militar | Quinteto Pirincho | A Minor | 4 | 8A | 115 BPM | ||
| Campo afuera | Orquesta tipica Rodolfo Biagi (Singer:Teofilo Ibanez) | G Minor | 3 | 6A | 106 BPM | ||
| Mi Dolor - Una noche en la milonga | Orquesta Típica Misteriosa Buenos Aires | D Minor | 4 | 7A | 118 BPM | ||
| Invierno | Hyperion Ensemble, Ruben Peloni | A Major | 4 | 11B | 125 BPM | ||
| Derecho Viejo | La Juan D'Arienzo | F Minor | 4 | 4A | 135 BPM | ||
| Tal Vez Sera Su Voz | Lucio Demare, Raúl Berón | G Minor | 5 | 6A | 128 BPM | ||
| Por la Vuelta | Francisco Lomuto | D Major | 3 | 10B | 122 BPM | ||
| Desde el Alma | Color Tango | B Minor | 2 | 10A | 85 BPM | ||
| Mi Dolor | La Santa Calavera, Ariel Varnerin | D♭ Major | 7 | 3B | 120 BPM | ||
| Temo | Orquesta Tipica Victor | A Major | 4 | 11B | 110 BPM | ||
| A mis tíos | Beata Söderberg | F Major | 3 | 7B | 112 BPM | ||
| String Sextet, Op. 45 (1924): I. Allegro Risoluto | Erwin Schulhoff, Hyperion Ensemble, Annelie Gahl, Gunde Jäch-Micko, Firmian Lermer, Jörg Steinkrauß, Detlef Mielke, Astrid Sulz | B♭ Major | 0 | 6B | 115 BPM | ||
| Quedemonos aqui | Jose Basso, Floreal Ruiz | A♭ Major | 3 | 4B | 118 BPM | ||
| Loca | Orquesta Típica Andariega | E Minor | 2 | 9A | 126 BPM | ||
| Sacale Punta | Edgardo Donato | E Major | 3 | 12B | 93 BPM | ||
| Fantasía en Tiempo de Tango | Orquesta Típica Sans Souci | D Major | 4 | 10B | 134 BPM | ||
| Buscandote | Orquesta Typica Osvaldo Fresedo, Ricardo Ruiz | D Major | 1 | 10B | 122 BPM | ||
| Tigre Viejo | Orquesta Típica Andariega | F Minor | 4 | 4A | 102 BPM | ||
| Tango de las rosas | Florindo Sassone Y Su Orquesta | G Major | 4 | 9B | 117 BPM | ||
| Corralera | Quinteto Pirincho | C Major | 3 | 8B | 100 BPM | ||
| Mi noche triste | Samuel Castriota, Trio Hugo Diaz | B Minor | 2 | 10A | 126 BPM | ||
| Reliquias porteñas | Tango Spleen Orquesta | F♯ Minor | 6 | 11A | 105 BPM | ||
| Llamale H | Orquesta Tipica Victor | G Major | 2 | 9B | 122 BPM | ||
| Loca | Bandonegro | B Minor | 3 | 10A | 142 BPM | ||
| Zorro Gris | La Tubatango | F♯ Minor | 5 | 11A | 148 BPM |