"Magnificat: Gloria Patri" by John Rutter, The Cambridge Singers had its release date on January 1, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 22 in the song's album "The Ultimate Collection". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Magnificat: Gloria Patri's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Magnificat: Gloria Patri by John Rutter, The Cambridge Singers having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem in D Minor, Op. 48: I. Introit et Kyrie | Gabriel Fauré, John Rutter, Simon Standage, John Scott, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| Prelude | Gerald Finzi, Royal Ballet Sinfonia, David Lloyd-Jones | F Minor | 1 | 4A | 109 BPM | ||
| Ave verum corpus, T. 92 | William Byrd, The Cambridge Singers, John Rutter | G Minor | 1 | 6A | 87 BPM | ||
| Das neugeborne Kindelein, BuxWV 13 | Dietrich Buxtehude, Anna Gschwend, Lucia Napoli, Sören Richter, Christian Wagner, La Petite Bande, Sigiswald Kuijken | A♭ Minor | 1 | 1A | 89 BPM | ||
| Mass for Four Voices: V. Agnus Dei | William Byrd, Stile Antico | F Minor | 1 | 4A | 123 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod. Adagio (Arr. Parkin) | Edward Elgar, Sheku Kanneh-Mason, Ashok Klouda, Caroline Dearnley, Hannah Roberts, Josephine Knight, Ben Davies | B♭ Major | 1 | 6B | 90 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| The Beatitudes | Paul Mealor, Voce, Mark Singleton | B Major | 0 | 1B | 66 BPM | ||
| Dancing Tree: No. 5, Spin Me a Web, Spider | John Rutter, The Cambridge Singers, Catrin Finch | E♭ Minor | 0 | 2A | 95 BPM | ||
| Stanford: Magnificat In A | Manchester Cathedral Choir, Jeffrey Makinson | A Major | 1 | 11B | 48 BPM | ||
| Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
| All-night Vigil, Op. 37: No. 6, Rejoice, O Virgin "Ave Maria" | Sergei Rachmaninoff, MDR Rundfunkchor, Risto Joost | D Major | 2 | 10B | 102 BPM | ||
| Ave verum, Op. 65 No. 1 | Gabriel Fauré, John Rutter, John Scott, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| O For a Thousand Tongues to Sing | The Celebration Choir, The Majesty And Glory Performers, Blessed Assurance Favorite Hymns Of Inspiration And Hope Performers, Classic Choral Hymns Ensemble | D Major | 1 | 10B | 167 BPM | ||
| Requiem in D Minor, Op. 48: V. Agnus Dei | Gabriel Fauré, John Rutter, Simon Standage, John Scott, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| Bow Thine Ear, O Lord | William Byrd, The Cambridge Singers, John Rutter | D♭ Major | 1 | 3B | 128 BPM | ||
| Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | ||
| All-Night Vigil, Op. 37: II. Praise the Lord, O my soul | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Julia Scozzafava | C Major | 0 | 8B | 84 BPM | ||
| Chorale: Hymn | Karl Jenkins, Peter Pejtsik, Adiemus Symphony Orchestra Of Europe | C Major | 1 | 8B | 110 BPM | ||
| Non, Nobis Domine | William Byrd, Toronto Children's Chorus | D Major | 0 | 10B | 79 BPM | ||
| Thou Must Leave Thy Lowly Dwelling | The Shorter Chorale, Patrick Harvey, Martha Shaw | E Major | 0 | 12B | 82 BPM | ||
| Abendfeier in Venedig | Clara Schumann, SANSARA, Tom Herring | G Major | 0 | 9B | 89 BPM | ||
| Liturgical Chants: 4 Spiritual Songs. Alleluia | Valentin Silvestrov, Ieva Ezeriete, Kārlis Rūtentāls, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 129 BPM | ||
| Thy Hand, O God, Has Guided | The Choir of St George's Chapel, Windsor Castle | D Major | 2 | 10B | 77 BPM | ||
| Andante Festivo JS 34b - Live | Jean Sibelius, Yamagata Symphony Orchestra, Chiaki Murakawa | G Major | 1 | 9B | 77 BPM |