Prabhat Barot, Rekha Rathod's ' "Ho Rang Rasiya Kya Rami Avya" was released on its scheduled release date, June 6, 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Prem Vijogan-Gujarati Love Songs". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Ho Rang Rasiya Kya Rami Avya is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Ho Rang Rasiya Kya Rami Avya by Prabhat Barot, Rekha Rathod having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ae Sayaji Amane Dar To Lagyo Re Ek Dan | Damyanti Bardai | E Major | 6 | 12B | 174 BPM | ||
| Lelo Rumal Pelo Rumal | Jashvant Rathva, Kamlesh Barot, Ishvar Parmar, Rinku Darji | B♭ Minor | 6 | 3A | 120 BPM | ||
| Ha Ha Re Koyaldi | Visva Kunchala, Prabhat Barot | C Minor | 4 | 5A | 127 BPM | ||
| Lelo Ri Lelo Maiya | Reema Noopur | A Major | 5 | 11B | 156 BPM | ||
| Jagrate Ki Raat | Manish Tiwari | A♭ Major | 6 | 4B | 144 BPM | ||
| Aarti Kije Shree Mahavishnu Deva | Sant Rajuram Ji | E♭ Minor | 7 | 2A | 88 BPM | ||
| Aaj To Hamare Dhwar Bholenath Aaya | Niranjan Pandya | A♭ Major | 5 | 4B | 139 BPM | ||
| Timasail Hitriyaan | Heera Singh Rana | F♯ Major | 6 | 2B | 155 BPM | ||
| Bolbona Go Ar Kono Din - 24 | Baul Sukumar | B♭ Minor | 5 | 3A | 99 BPM | ||
| Shubharambh (Shree Durga Stuti Path) | Saurabh Madhukar, Keshav Madhukar | F Minor | 6 | 4A | 96 BPM | ||
| Aavahan | Dhaval Kumar | D Major | 4 | 10B | 63 BPM | ||
| Gulab Jamun Bhail Ba Gaal | Ravina Raj, Sudhir Lal Yadav | A Minor | 9 | 8A | 73 BPM | ||
| Kutch Dharana Dhame | Lalita Ghodadra, Prabhat Barot | D♭ Major | 4 | 3B | 188 BPM | ||
| Charno Main Teri Maiya | Kushal Barath, Mahendra | A Major | 5 | 11B | 110 BPM | ||
| O Karuna Na Karnara | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | B♭ Minor | 5 | 3A | 107 BPM | ||
| Oh Sanware Sabse Bado Tero Naam | Devki Nandan Thakur Ji Maharaj | E♭ Major | 6 | 5B | 75 BPM | ||
| Mere Banke Bihari Lala | Chitra Vichitra | A♭ Major | 9 | 4B | 160 BPM | ||
| Karuna Bhare Kripa Bhare | K. S. Chithra, Vichitra | E♭ Major | 9 | 5B | 88 BPM | ||
| Patadiya Palav Melo | Daksha Prajapati, Prabhat Barot | F Major | 6 | 7B | 111 BPM | ||
| Ashadh Aavyo Ne Vadal Umatiya | Prabhat Barot, Daksha Prajapati | A♭ Major | 4 | 4B | 152 BPM | ||
| Ayiel Jhareliya Jhulla Me | Manoj Mishra, Vinay Bihari | F♯ Minor | 9 | 11A | 120 BPM | ||
| Dash Divash Ni Maya Lagadi | Gagan Jethva | F Minor | 2 | 4A | 126 BPM | ||
| Tari Ne Mari Jodi Banevilal - Original | Kamlesh Barot, NA | B♭ Major | 7 | 6B | 126 BPM | ||
| Main Balihar Pyare Ju | Hita Ambrish | B Major | 7 | 1B | 145 BPM | ||
| Bolya Bolya Nandanvan Na Mor | Lalita Ghodadra | F Minor | 7 | 4A | 164 BPM |