Francis Lai's 'Le Genre Humain' had a release date set for February 7, 2011. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Le Genre Humain's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 20 in Francis Lai: The Essential Film Music Collection by Francis Lai. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, Le Genre Humain is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Le Genre Humain by Francis Lai is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| New York Herald Tribune | Martial Solal | E Minor | 2 | 9A | 125 BPM | ||
| Un Homme Et Une Femme | Francis Lai | D♭ Minor | 3 | 12A | 126 BPM | ||
| Femminilità | Gorni, Giovannini, Garinei, Gorni Kramer | G Minor | 4 | 6A | 77 BPM | ||
| Incontro la contessa | Bruno Nicolai, Edda Dell'Orso | E Minor | 0 | 9A | 80 BPM | ||
| Beatrice | Luis Bacalov | D♭ Major | 2 | 3B | 102 BPM | ||
| The Lover (End Credits) | Gabriel Yared | G Major | 0 | 9B | 107 BPM | ||
| Thème clarysse - From Le battant | Christian Dorisse | C Major | 2 | 8B | 87 BPM | ||
| Byron And Natalie (Love Theme From "The Winds Of War") | Bob Cobert | C Minor | 3 | 5A | 80 BPM | ||
| April in Paris (with Trio Musette de Paris) | The Melachrino Strings and Orchestra, Trio Musette de Paris | D Major | 3 | 10B | 87 BPM | ||
| The Windmills of Your Mind | Antonio Rossi & His Orchestra | E Minor | 2 | 9A | 140 BPM | ||
| Première rencontre - Version instrumentale | Françoise Hardy | F♯ Major | 5 | 2B | 80 BPM | ||
| Ballade de Ward | Marcel Ward | F♯ Minor | 3 | 11A | 66 BPM | ||
| Clara 1939 - Bande originale du film "Le vieux fusil" | François de Roubaix | F Major | 3 | 7B | 119 BPM | ||
| Parisian Dream | Albert Behar | D Major | 2 | 10B | 136 BPM | ||
| Erfüllte Sehnsucht | Berolina Sound Orchestra, Siegfried Mai | D♭ Minor | 1 | 12A | 74 BPM | ||
| Tema di Anna - Titoli | Stelvio Cipriani | B♭ Minor | 0 | 3A | 101 BPM | ||
| Valses Des Patineurs | Marc Fortier | A Major | 1 | 11B | 97 BPM | ||
| Emmenez-moi - Instrumental | Charles Aznavour | D Minor | 2 | 7A | 94 BPM | ||
| Ecole militaire | Henri Seroka | C Major | 0 | 8B | 107 BPM | ||
| Le thème d'Emmanuelle | Francis Lai | F♯ Major | 1 | 2B | 121 BPM | ||
| Uccidere in silenzio 1 | Nora Orlandi, Stelvio Cipriani | F Major | 1 | 7B | 63 BPM | ||
| Theme for Harp, Strings & Theremin (From "First Man") | Justin Hurwitz, Darryl Kubian, Gillian Benet Sella, Cincinnati Pops Orchestra, John Morris Russell | G Minor | 0 | 6A | 93 BPM | ||
| O' Comme Alice | Pierre Bachelet | G Minor | 1 | 6A | 82 BPM | ||
| Aram Khachaturian: Waltz Masquerade | Progress Chamber Orchestra, Paweł Nowak | G Major | 2 | 9B | 67 BPM | ||
| I'll Always Be in Love with You | The Melachrino Strings and Orchestra | C Major | 3 | 8B | 85 BPM |