On September 27, 2013, the song "Call the Police" was released by Rude Tins. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Call the Police's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "State of Flux". In this album, this song's track order is #5. The popularity of Call the Police is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Call the Police by Rude Tins having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Letters to Nowhere | Have No Heroes | G Minor | 10 | 6A | 76 BPM | ||
| Red or Light | Flamsteed | C Major | 9 | 8B | 200 BPM | ||
| Ours For The Taking | Shanghai Treason | E Major | 9 | 12B | 129 BPM | ||
| Hail Satan | FULL OF SHIT | G Major | 9 | 9B | 165 BPM | ||
| The Meaning of Self Restraint | Half Price | F Major | 10 | 7B | 160 BPM | ||
| Kenneth | The Decline | E Major | 8 | 12B | 110 BPM | ||
| The Sum Of All Our Parts | Hack The Mainframe | A♭ Minor | 10 | 1A | 150 BPM | ||
| Amy | Hack The Mainframe | B♭ Major | 9 | 6B | 110 BPM | ||
| Whatshername? | The Cloverhearts | A Major | 8 | 11B | 161 BPM | ||
| Golden Hundred | Have No Heroes | B♭ Major | 9 | 6B | 148 BPM | ||
| Atari's in the Ride Tonight | Left Alone | G Major | 10 | 9B | 97 BPM | ||
| Whose Kidneys Are These? | Restroyer. | A♭ Minor | 10 | 1A | 188 BPM | ||
| Stop Killing Our Friends | Joker's Republic | D Major | 9 | 10B | 190 BPM | ||
| So Many Times | Rude Tins | D Major | 9 | 10B | 112 BPM | ||
| Fire and Forget | Rude Tins | C Major | 10 | 8B | 103 BPM | ||
| Don't Give Up | Heathcliff | F Minor | 9 | 4A | 171 BPM | ||
| Headphones On | Forgetaboutit | E Major | 10 | 12B | 150 BPM | ||
| Down for Life | The Sewer Rats | E Major | 9 | 12B | 200 BPM | ||
| Lost | Melonball | G Major | 10 | 9B | 195 BPM | ||
| Seeking | The Rabble | D Major | 9 | 10B | 158 BPM | ||
| Heartbleeds | Heathcliff | F♯ Major | 10 | 2B | 115 BPM | ||
| You Had Me At Japan, Man | We Are Thunders | E♭ Major | 10 | 5B | 90 BPM | ||
| Anywhere Here Is Fine | Filthy Militia | E Major | 9 | 12B | 129 BPM | ||
| Can't Live This Way | Taken Days | D♭ Major | 9 | 3B | 163 BPM | ||
| Absent Mindlessness | The Decline | F♯ Minor | 9 | 11A | 90 BPM |