Parupalli Ranganadh's ' "Kanne Mula Ganapathi" was released on its scheduled release date, June 30, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Parupalli Ranganadh's "Irumudi Ilavelupu" album is number 2 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Kanne Mula Ganapathi is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kanne Mula Ganapathi by Parupalli Ranganadh to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Skanda Ninagandada | B. R. Chaya | A Minor | 6 | 8A | 160 BPM | ||
| Sriramam Chittam Bhajatu | Sri Ganapathy Sachichidananda Swamiji | B♭ Major | 4 | 6B | 174 BPM | ||
| Gururbramha Gururvishnu | Parupalli Sri Ranganath | G Minor | 2 | 6A | 94 BPM | ||
| Agajananna Padmarkkam | Mathangi Sathyamoorthi | D♭ Minor | 7 | 12A | 147 BPM | ||
| Tripurasundari Ashtakam | B.K. Sumitra | B Major | 5 | 1B | 143 BPM | ||
| Sada Enna Hrudayadalli | Narashima Naik, Purandara Dasaru | D Major | 9 | 10B | 96 BPM | ||
| Sarakka Saritalla | Anuradha Sriram | D Major | 6 | 10B | 100 BPM | ||
| Aasirvachana Mantram | Hari Achuta Rama Sastry | G Major | 3 | 9B | 107 BPM | ||
| Gatha Kalamantha | Thandri Sannidhi Ministries | B♭ Major | 4 | 6B | 82 BPM | ||
| Kolu Kolanna Kole | Appagere Thimmaraju, Traditional | F Major | 5 | 7B | 78 BPM | ||
| Anjaneya Dandakam | Bheri Umamahesh | F Major | 0 | 7B | 130 BPM | ||
| Sundari Rangana Tandu | Raichur Sheshagiridasaru | E Minor | 8 | 9A | 96 BPM | ||
| Shyamasundara | Udaiyalur Kalyanaraman | F♯ Major | 8 | 2B | 138 BPM | ||
| Ako Shayama Avale Radhe | M. S. Sheela, K.S. Surekha | F Major | 5 | 7B | 80 BPM | ||
| Kailasam Vidichi Neevu | D.Sarangapani | F♯ Major | 8 | 2B | 157 BPM | ||
| Dhareyoddharaka | Anantha Kulkarni | F♯ Minor | 5 | 11A | 113 BPM | ||
| Ezhuthaathirikkan (Urangatha Raavu) | Levin Muthukad | E Minor | 3 | 9A | 120 BPM | ||
| Hammayya Dorikava | S. Janaki | G Minor | 6 | 6A | 150 BPM | ||
| Hasugusu Ammana Arasutha | Vidyabhushana | C Major | 5 | 8B | 57 BPM | ||
| Suprabhatha | Gowthami, Lavanya | A♭ Major | 3 | 4B | 84 BPM | ||
| Rathri Suktham | J. Bhaktavatsalam, Ganesan, Na | C Major | 6 | 8B | 120 BPM | ||
| Narayanana Nene Manave | Anantha Kulkarni | G Major | 7 | 9B | 158 BPM | ||
| Gowriya Kandana Swami | Narasimhanayak Puttur, B. R. Chaya, K.S. Surekha | E Minor | 5 | 9A | 105 BPM | ||
| Chadivi Bathukaro | S.V. Anand Bhattar | F Major | 7 | 7B | 148 BPM | ||
| Chellidaru Malligeya | Appagere Thimmaraju | G Minor | 5 | 6A | 183 BPM |