Metamorphosen, TrV 290 (Version for String Septet, Realised by Leopold): II. Etwas fliessender - Live by Richard Strauss, Renaud Capuçon, Christoph Koncz, Gérard Caussé, Veronika Hagen, Julia Hagen, Clemens Hagen, Alois Posch Song Details

"Metamorphosen, TrV 290 (Version for String Septet, Realised by Leopold): II. Etwas fliessender - Live" by Richard Strauss, Renaud Capuçon, Christoph Koncz, Gérard Caussé, Veronika Hagen, Julia Hagen, Clemens Hagen, Alois Posch had its release date on January 31, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 26 in the song's album "Richard Strauss". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. The popularity of Metamorphosen, TrV 290 (Version for String Septet, Realised by Leopold): II. Etwas fliessender - Live is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Metamorphosen, TrV 290 (Version for String Septet, Realised by Leopold): II. Etwas fliessender - Live by Richard Strauss, Renaud Capuçon, Christoph Koncz, Gérard Caussé, Veronika Hagen, Julia Hagen, Clemens Hagen, Alois Posch having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -34.611 dB
Acousticness: 86%
Danceability: 8%
Energy: 1%
Instrumentalness: 25%
Liveness: 70%
Loudness: 42%
Speechiness: 4%
Valence: 3%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Consolation No. 3 in D-Flat Major, S. 172/3	Franz Liszt, Vladimir Horowitz	D♭ Major	0	3B	70 BPM
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato	Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner	C Minor	1	5A	71 BPM
Scheherazade: The Sea & Sinbad's Ship	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	E Major	1	12B	82 BPM
Fra Holbergs tid, Op. 40: II. Sarabande (From Holberg's Time) [Version for Orchestra]	Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset	E♭ Major	0	5B	93 BPM
Andante Cantabile	Pyotr Ilyich Tchaikovsky, St. Lawrence String Quartet	B♭ Major	0	6B	90 BPM
Piano Concerto No. 3, Sz. 119: II. Adagio religioso	Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay	B Major	2	1B	150 BPM
Chopin: Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto	Frédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal	E Major	0	12B	91 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	C Major	1	8B	68 BPM
Violin Concerto In D Major, Op. 35: II. Romance: Andante	Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn	G Major	1	9B	87 BPM
Oberon, J.306: Ouvertüre	Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelík	D Major	1	10B	131 BPM
Hungarian Dance No.1 in G minor - Orchestrated by Brahms: Allegro molto	Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim	G Minor	2	6A	65 BPM
Symphony in D Minor, CFF 130: II. Allegretto	César Franck, Berliner Philharmoniker, Daniel Barenboim	D Minor	0	7A	88 BPM
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen	Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur	D♭ Major	1	3B	82 BPM
Symphony No. 1 in E-Flat Major: 3. Andante	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	D Major	0	10B	82 BPM
Symhonie fantastique Op. 14: Songe d'une nuit de sabbat	Berliner Philharmoniker, Rudolf Kempe	G Minor	3	6A	110 BPM
Symphony No. 3 in E flat, Op. 97 - "Rhenish": 4. Feierlich	Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini	E♭ Minor	1	2A	75 BPM
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam	Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra	F Major	1	7B	82 BPM
Symphonie fantastique, H. 48: II. Un bal. Valse	Hector Berlioz, Orchestre de Paris, Klaus Mäkelä	A Major	1	11B	100 BPM
Requiem: I. Requiem Aeternam	Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea	A Minor	0	8A	85 BPM
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7	Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin	A Major	0	11B	87 BPM
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered	Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra	F Major	1	7B	119 BPM
Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco	Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn	E Minor	1	9A	111 BPM
Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent	Richard Strauss, André Previn, Philadelphia Orchestra	E♭ Major	2	5B	129 BPM
Symphony No. 1 in E Major, Op. 26: I. Lento	Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi	B♭ Minor	2	3A	86 BPM
Overture "A Midsummer Night's Dream", Op. 21	Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa	E Major	1	12B	139 BPM