"And Still They Move" by Colin Stetson, Sarah Neufeld had its release date on April 28, 2015. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. And Still They Move's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Never Were the Way She Was". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Canada. Based on our statistics, And Still They Move's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With And Still They Move by Colin Stetson, Sarah Neufeld having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Holding Pattern | Loscil | D Minor | 1 | 7A | 100 BPM | ||
| Mistress | Nicolas Jaar | D Major | 2 | 10B | 99 BPM | ||
| Floating / Sinking | Peter Broderick | A Minor | 1 | 8A | 89 BPM | ||
| Never Were the Way She Was | Colin Stetson, Sarah Neufeld | A Minor | 4 | 8A | 126 BPM | ||
| Elevation | Hildur Guðnadóttir | G Minor | 1 | 6A | 80 BPM | ||
| Terrain | Julia Kent | B♭ Major | 5 | 6B | 141 BPM | ||
| HoursDaysMonthsSeasons - Olga Wojciechowska Rework | Nathan Fake, Olga Wojciechowska | F Minor | 1 | 4A | 79 BPM | ||
| Pleiades | Julia Kent | C Major | 3 | 8B | 74 BPM | ||
| Opening Night | Dictaphone | F Major | 5 | 7B | 120 BPM | ||
| Zephyr | Loscil | E Minor | 2 | 9A | 122 BPM | ||
| Speak, Memory | Danny Norbury | F♯ Major | 0 | 2B | 145 BPM | ||
| Pink And Golden Billows | Brambles | A♭ Minor | 3 | 1A | 120 BPM | ||
| Suddenly Becomes Light | Rothko | C Major | 1 | 8B | 70 BPM | ||
| Morgana | Movlan Turabov, Moklan | F♯ Minor | 1 | 11A | 150 BPM | ||
| Het Volk | Pan-American | C Minor | 2 | 5A | 188 BPM | ||
| Tramontana | Julia Kent | B♭ Major | 4 | 6B | 150 BPM | ||
| Nonnopesca | Octogang | A Major | 2 | 11B | 77 BPM | ||
| Notes from the Mediterranean Sea | Oiseaux-Tempête | F Major | 2 | 7B | 91 BPM | ||
| Space 11 (Invisible Pages Over) | Max Richter, Ben Russell, Yuki Numata Resnick, Caleb Burhans, Brian Snow, Clarice Jensen | G Minor | 1 | 6A | 142 BPM | ||
| Surrender | Zak Engel | G Major | 0 | 9B | 80 BPM | ||
| Tahoe | Dedekind Cut | E Minor | 1 | 9A | 86 BPM | ||
| I Run Fast Now | Emile Mosseri | A Major | 2 | 11B | 77 BPM | ||
| Stories | Sarah Neufeld | E♭ Minor | 0 | 2A | 71 BPM | ||
| Hiatus | Rafael Anton Irisarri | G Minor | 3 | 6A | 92 BPM | ||
| Funeral | Colin Stetson | G Major | 1 | 9B | 89 BPM |