Anon, Trinity Baroque, The Holbein Consort, Martin Pope, Alan Crumpler, Julian Podger, Fprbury Consort's ' "Ver Pacis Aperit" was released on its scheduled release date, June 15, 2010. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Trinity Baroque, Julian Podger, Fprbury Consort, Alan Crumpler, The Holbein Consort, Martin Pope's "Middle Ages Music" album is number 5 out of 22. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Ver Pacis Aperit is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Ver Pacis Aperit by Anon, Trinity Baroque, The Holbein Consort, Martin Pope, Alan Crumpler, Julian Podger, Fprbury Consort to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Graduel "Domine praevenis | Choeur de moines de l'Abbaye Notre-Dame de Fontgombault | D Major | 1 | 10B | 71 BPM | ||
| Ad Matutinum: Lectio. Itaque convenit | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Hymne: Sanctòrum Méritis | Coro Francescano di Assisi | F♯ Major | 0 | 2B | 127 BPM | ||
| Easter Day | Anon, The Sisters of Argentan | A Minor | 0 | 8A | 137 BPM | ||
| Fountain of Life - pt II | Eikona, Choirs Of Annunciation Byzantine Catholic Church, Monastery Choir of St. John of San Francisco, Cantores Lux Dei | F♯ Major | 0 | 2B | 100 BPM | ||
| MISA IN TE DOMINE SPERAVI: Credo | Francisco Guerrero, A5 Vocal Ensemble | D Minor | 2 | 7A | 107 BPM | ||
| Dominus Dixit | The Norbertine Fathers Of St. Michael's Abbey | B♭ Minor | 1 | 3A | 75 BPM | ||
| Gloria, JD 11: Gloria a 4, JD 11 | John Dunstable, Tonus Peregrinus, Antony Pitts | D♭ Major | 2 | 3B | 85 BPM | ||
| Alleluia, Ave stillans melle | Les Ambrosiniens, Rolandas Muleika | A Minor | 1 | 8A | 77 BPM | ||
| Spiritus Sanctus | Nova Schola Gregoriana, St. Peter St. Paul Cathedral Choir of Minsk, Elaria | E Major | 1 | 12B | 76 BPM | ||
| Fidelis Usque Ad Mortem | Gregorian Chants | A♭ Major | 2 | 4B | 110 BPM | ||
| Gloria, JD 15: Gloria (Jesu Christe Fili Dei), JD 15 | John Dunstable, Tonus Peregrinus, Antony Pitts | D♭ Major | 2 | 3B | 85 BPM | ||
| Easter Day | Anon, The Sisters of Argentan | A Minor | 1 | 8A | 131 BPM | ||
| In splendoribus sanctorum | Anonyme, Obsidienne, Emmanuel Bonnardot | A♭ Major | 1 | 4B | 98 BPM | ||
| Tu Nobis Dona | Giovanni Pierluigi da Palestrina, Pères Norbertins de l'Abbaye de Saint-Michel | C Major | 2 | 8B | 74 BPM | ||
| Blue Sky | Cold citru$, Anon | A♭ Major | 7 | 4B | 130 BPM | ||
| The Service of the Furnace: VI. Kalophonic Sticheron. When the Tyrant Saw | Angelos Gregoriou, Cappella Romana, Alexander Lingas, John Michael Boyer, Stelios Kontakiotis | F Major | 2 | 7B | 64 BPM | ||
| Missa Jubilate Deo: Kyrie | Schola Laudis, Kevin Allen | A♭ Major | 4 | 4B | 124 BPM | ||
| Mass for Pentecost: Communion "Factus Est Repente" | Benedictine Monks of Chicago, Dom Timothy Ferrell, O. S. B. | G Major | 2 | 9B | 78 BPM | ||
| Cantus Officiorum: Psallenda: Videntes stellam magi | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca | E Minor | 1 | 9A | 84 BPM | ||
| Day Mass - In Puer | The Benedictine Nuns of St. Cecilia's Abbey | A♭ Major | 1 | 4B | 79 BPM | ||
| In I Vesperis: Antiphona. Ex quo omnia | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Догматик, глас 5 - Валаамский распев | Хор братии Валаамского монастыря, Иеродиакон Герман (Рябцев) | E Major | 0 | 12B | 166 BPM | ||
| O quant qualia | Peter Abelard, Augsburg Early Music Ensemble | A Major | 0 | 11B | 69 BPM | ||
| Lamentatio: Lamentatio Jeremia Prophetae | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | D♭ Minor | 0 | 12A | 105 BPM |