Comparsa OBDC's ' "El concurso del Falla (Pasodoble)" was released on its scheduled release date, February 1, 2015. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. El concurso del Falla (Pasodoble)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Obdc el Show de Pinocchio!". In this album, this song's track order is #11. Based on our statistics, El concurso del Falla (Pasodoble)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With El concurso del Falla (Pasodoble) by Comparsa OBDC having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pasodoble Cádiz Me Dio - En Directo | Comparsa Los Listos | C Major | 10 | 8B | 132 BPM | ||
| Esa puerta era la entrada | Comparsa carretera y manta | F♯ Major | 9 | 2B | 118 BPM | ||
| Yo sé que una noche - Pasodoble | Juan Carlos Aragón | D♭ Minor | 8 | 12A | 138 BPM | ||
| De mi agujero | Comparsa Los Listos | D♭ Major | 8 | 3B | 106 BPM | ||
| El Frio Mármol | Comparsa Tino Tovar | F♯ Major | 9 | 2B | 120 BPM | ||
| Dicen Que Hay un Abuelo | Los Duendes Coloraos | C Minor | 7 | 5A | 84 BPM | ||
| Cuando el verano | Comparsa La canción de la Laguna | F♯ Major | 9 | 2B | 118 BPM | ||
| La Conferencia Episcopal (Presentación) | Comparsa OBDC | F♯ Major | 8 | 2B | 115 BPM | ||
| Llegado el día y la hora - Pasodoble Semifinal | La Chirigota del Molina y el Melli | B Major | 7 | 1B | 87 BPM | ||
| Cuando me vaya del barrio | Los Ángeles Caídos | F Minor | 9 | 4A | 94 BPM | ||
| Van tres años - Pasodoble | La Chirigota de Los Molina | C Major | 8 | 8B | 127 BPM | ||
| De Cádiz - Pasodoble Final | La chirigota del Sheriff | F♯ Minor | 6 | 11A | 133 BPM | ||
| Cuentan que había un joyero | Comparsa El joyero | F♯ Major | 9 | 2B | 118 BPM | ||
| La quiere vestida de negro | Jesús Bienvenido | F♯ Major | 9 | 2B | 118 BPM | ||
| Yo recuerdo | Chirigota de ecija | F♯ Major | 9 | 2B | 118 BPM | ||
| Los golfos los aventureros | Comparsa El joyero | F♯ Major | 9 | 2B | 118 BPM | ||
| Pasodoble De Los Tópicos Del Buen Gaditano - Chirigota | Los de Cádiz Norte | B♭ Major | 5 | 6B | 79 BPM | ||
| Que sea el principio - Pasodoble | Comparsa de Manolín Santander | E Major | 8 | 12B | 131 BPM | ||
| Hace poco - Cuplé Semifinal | Chirigota del Pelu | F♯ Major | 7 | 2B | 71 BPM | ||
| En Mil Pedazos - En Directo | Los Ángeles de la Guarda | E♭ Major | 7 | 5B | 86 BPM | ||
| Ahora Mismo | Tino Tovar | E Minor | 8 | 9A | 135 BPM | ||
| Porque Hay Veces Que Desaparece | Comparsa La Azotea | C Minor | 7 | 5A | 131 BPM | ||
| El velero a las claras del día - Presentación | La Comparsa de Nene Cheza y Zampi | B Minor | 8 | 10A | 152 BPM | ||
| La Obra Del Segundo Puente (Pasodoble) | Chirigota del Selu | D♭ Minor | 8 | 12A | 149 BPM | ||
| Sacrificao aquí otra vez (Pasodoble) | La Comparsa Del Jona | B Major | 9 | 1B | 120 BPM |