Vienna Volksoper Orchestra, Max Schönherr's ' "España, Op. 236" was released on its scheduled release date, February 18, 1966. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. España, Op. 236's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Strauss II, Waldteufel: Valses". In this album, this song's track order is #12. In terms of popularity, España, Op. 236 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With España, Op. 236 by Vienna Volksoper Orchestra, Max Schönherr having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blue Danube (An der Schönen Blauen Donau) Waltz Op.314 | Vienna Volksoper Orchestra, Peter Falk | D Major | 0 | 10B | 96 BPM | ||
| Richard Wagner: Der Fliegende Holländer - Johohohe! (Geisterchor) | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | G Major | 5 | 9B | 104 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Budapest Philharmonic Orchestra, Janos Sandor | E Major | 1 | 12B | 139 BPM | ||
| Klavierkonzert Nr. 21 C-Dur, K. 467, "Elvira Madigan": 2. Andante (Elvira Madigan): II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | F Major | 0 | 7B | 126 BPM | ||
| 21 Hungarian Dances, WoO 1 - Orchestral Version: No. 5 in G Minor | Johannes Brahms, Gewandhausorchester Leipzig, Kurt Masur | G Minor | 1 | 6A | 142 BPM | ||
| Radetzky-Bankett-Marsch (Fragment) | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | C Major | 1 | 8B | 100 BPM | ||
| Bombones de Viena | George Henkla | F Major | 2 | 7B | 182 BPM | ||
| Overture | Gioachino Rossini, Prague Sinfonia Orchestra, Christian Benda | E Major | 1 | 12B | 102 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Johannes Brahms, Seattle Symphony Orchestra, Gerard Schwarz | E Major | 1 | 12B | 102 BPM | ||
| String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
| Musetta's Waltz Song (La Boheme) | Geoff Love & His Orchestra | E Major | 1 | 12B | 86 BPM | ||
| Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
| L'italiana in Algeri: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | B♭ Major | 2 | 6B | 139 BPM | ||
| Der Bettelstudent / Act 1: Ich knüpfte manche zarte Bande | Carl Millöcker, Werner Hollweg, Vienna Volksoper Orchestra, Franz Allers, Wiener Volksopernchor | G Major | 3 | 9B | 133 BPM | ||
| Valse-Caprice in E-Flat Major | Alexander Dargomyzhsky, Yevgeny Svetlanov, USSR State Symphony Orchestra | E♭ Major | 3 | 5B | 124 BPM | ||
| Fatinitza: March | Franz von Suppé, Slovak Philharmonic, Richard Hayman | A♭ Minor | 6 | 1A | 170 BPM | ||
| Frühlingsstimmenwalzer | Vienna Walzer Orchestra | C Minor | 1 | 5A | 104 BPM | ||
| Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
| The Comedians, Op. 26: Galop | Dimitri Kabelevsky, Berlin Symphonic Orchestra, Gerhard Becker | C Major | 0 | 8B | 97 BPM | ||
| Fur die ganze Welt | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | G Major | 1 | 9B | 179 BPM | ||
| Bizet: Carmen, Act 2: "Votre toast, je peux vous le rendre" (Escamillo, Frasquita, Mercédès, Carmen, Zuniga, Chœur) | Georges Bizet, Rafael Frühbeck de Burgos, Bernard Gontcharenko, Chœur du Théâtre national de l'Opéra de Paris, Éliane Lublin, Grace Bumbry, Kostas Paskalis, Viorica Cortez, Orchestre du Théâtre National de l'Opéra de Paris | G Minor | 0 | 6A | 124 BPM | ||
| Strauss: Radetzky March, Op. 228 | Johann Strauss I, Hallé, Bramwell Tovey | A Major | 4 | 11B | 122 BPM | ||
| Richard Wagner: Lohengrin - Treulich geführt ziehet dahin (Brautchor) | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | F Major | 1 | 7B | 83 BPM | ||
| Spanish Dance | Dmitri Shostakovich, Plano East Senior High Chamber Orchestra, Betsy Thomas | D Major | 3 | 10B | 76 BPM | ||
| Prelude from La Traviata | George Carlaw | A♭ Major | 1 | 4B | 82 BPM |