Rabindranath Tagore's 'Eso Eso Eso Hey Baishakh - Instrumental' had a release date set for April 8, 1960. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Eso Eso Eso Hey Baishakh - Instrumental's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Visva - Vina by Rabindranath Tagore, Romit Roy. The song's track number on the album is #4 out of 15 tracks. Based on our data, India was the country where this track was produced or recorded. In terms of popularity, Eso Eso Eso Hey Baishakh - Instrumental is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
Since Eso Eso Eso Hey Baishakh - Instrumental by Rabindranath Tagore has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Eso Eso Eso Hey Baishakh - Instrumental being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Feludar Gaan | Anjan Dutt, Kabir Suman | C Major | 4 | 8B | 94 BPM | ||
| Pagla Hawar Badol Dinee | Rezwana Choudhury Bannya | D♭ Major | 5 | 3B | 88 BPM | ||
| Srabaner Dharar Mato | Arundhati Holme Chowdhury | B♭ Major | 4 | 6B | 68 BPM | ||
| Na na jeyo na (From Bhootchakra Pvt Ltd) | Somlata | F Major | 5 | 7B | 90 BPM | ||
| Amar Sonar Bangla | Arijit Singh, Ipshita | D Major | 2 | 10B | 81 BPM | ||
| Dhitang Dhitang Bolee | Calcutta Choir | F♯ Minor | 3 | 11A | 63 BPM | ||
| Anondoloke Mongolaloke | Indranil Sen, Radhika Chakraborty | E♭ Major | 1 | 5B | 153 BPM | ||
| Jagat Jure Udar Sure | Rezwana Choudhury Bannya | A Major | 4 | 11B | 160 BPM | ||
| Bodhu Kon Aalo | Jayati Chakrahborty | G Major | 3 | 9B | 81 BPM | ||
| Piya Mora Balak Ham Taruni Ge | Sarda Sinha | D♭ Major | 5 | 3B | 82 BPM | ||
| Ram Ko Dekhkr Shri Janak Nandini | Zendria | C Major | 3 | 8B | 139 BPM | ||
| Ei Shohor Amar Ar Noy | Saif Zohan | D♭ Major | 4 | 3B | 135 BPM | ||
| Megh Bolechhe | Sunidhi Chauhan, Soumyojit | D♭ Major | 5 | 3B | 85 BPM | ||
| Matone Metechhe ("Rudrabinar Obhishaap Part 2") | Jimut Roy, Pt. Nihar Ranjan Bandyopadhyay | B Major | 6 | 1B | 168 BPM | ||
| Aaha Mori Mori | Shyamal Mitra | B♭ Major | 3 | 6B | 176 BPM | ||
| Shurey Shurey Jodi | Tushar Dutta | A Major | 6 | 11B | 110 BPM | ||
| Gram Chara Oi | Rupmanjuri Das, Kaushik Acharjee, Rabindranath Tagore | A♭ Major | 7 | 4B | 110 BPM | ||
| Muktir Mandir Sopantale | Calcutta Choir, Krishna Chandra Dey | D Major | 6 | 10B | 119 BPM | ||
| E Monihar Amay Nahi Saje | Sourendro-Soumyojit, Srabani Sen, Harshavardhan Neotia | A♭ Major | 3 | 4B | 73 BPM | ||
| JE PRERONA TUMI MORE DITECHOGO BARE BARE | Satsangee, Dhidipon Dowarah | E Major | 2 | 12B | 130 BPM | ||
| Ei Prithibir Gaan | Pralay Sarkar, Anirban Dasgupta - RIJU | F Major | 1 | 7B | 83 BPM | ||
| Sujan Maajh | Saket Bairoliya, Rabindranath Tagore | F Major | 2 | 7B | 117 BPM | ||
| Khelicho A Biswaloye | Aditi Munshi | B Major | 4 | 1B | 120 BPM | ||
| Valobeshe Sokhi | Rabindranath Tagore, Arijit | D Major | 4 | 10B | 130 BPM | ||
| Sara Dao | Kabir Suman | E♭ Major | 2 | 5B | 129 BPM |