On June 1, 2023, the song "Jab Dil Na Lage Dildar Ayodhya Mein Aa Jana" was released by Alok Akela, Rekha Ragini. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Jab Dil Na Lage Dildar Ayodhya Mein Aa Jana and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Jab Dil Na Lage Dildar Ayodhya Mein Aa Jana's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Jab Dil Na Lage Dildar Ayodhya Mein Aa Jana by Alok Akela, Rekha Ragini to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chand Ke Paar Le Jaieba Ka | Samar Singh, Shilpi Raj | A♭ Minor | 10 | 1A | 142 BPM | ||
| Kawna Parlour Me | Samar Singh, Khushbu Tiwari KT | A Major | 10 | 11B | 115 BPM | ||
| Sarso Ke Telwa - From "Rishtey" | Khesari Lal Yadav, Shilpi Raj, Krishna Bedardi | D♭ Major | 10 | 3B | 130 BPM | ||
| Bairn | Jatin Samalpur, Mahi Chauhan | G Major | 8 | 9B | 116 BPM | ||
| Doliya | Ashish Yadav | E Major | 10 | 12B | 123 BPM | ||
| Lahsun Mircha Ke Chatani | Arvind Akela Kallu Ji, Shilpi Raj | A♭ Major | 10 | 4B | 123 BPM | ||
| Arak Mani Maa | Kedar Negi | G Minor | 10 | 6A | 136 BPM | ||
| King VS Queen | Tuntun Yadav, Goldi Yadav | G Minor | 10 | 6A | 125 BPM | ||
| Call Recording Baji Barati Me | Monu Albela, Shilpi Raj | F♯ Minor | 10 | 11A | 136 BPM | ||
| Chadh Jaihe Dhaike Ayodhya Ke Laike | Alok Akela | A♭ Major | 10 | 4B | 128 BPM | ||
| Choli Ke Bandhan | Dhananjay Dhadkan | G Major | 9 | 9B | 110 BPM | ||
| Khesari Ka Gaana Sunega Le Beta | Monu Albela | C Minor | 9 | 5A | 135 BPM | ||
| Sadiya Bulukiya | Pawan Singh, Shivani Singh | C Minor | 10 | 5A | 130 BPM | ||
| Jiya Ye Eyar Naiharwe Me | Ankush Raja, Shilpi Raj | C Minor | 10 | 5A | 135 BPM | ||
| Hasal Baki Ba | Samar Singh, Shilpi Raj | B♭ Minor | 10 | 3A | 140 BPM | ||
| Chudi Hari Hari | Pawan Singh, Shivani Singh | F♯ Minor | 9 | 11A | 135 BPM | ||
| Kuware Rah Jaiti | Ankush Raja, Shilpi Raj | F♯ Minor | 10 | 11A | 128 BPM | ||
| Dele Badi Maza Bhauji | Rakesh Mishra | D♭ Minor | 9 | 12A | 125 BPM | ||
| सासरो टटलू बाजन को | Sahil Sakras | G Major | 9 | 9B | 110 BPM | ||
| Nishad Ke Haweli Par | Abhishek Sargam Nishad | A Minor | 10 | 8A | 115 BPM | ||
| Pandit Ji Ke Bullet Pe Baidha Ae Gori | Ansh Tiwari, Neha Kushwaha | B♭ Minor | 10 | 3A | 128 BPM | ||
| Jija Ji Ghar Ke Karib Aa Gya He | Banshidhar Chaudhari | C Major | 10 | 8B | 129 BPM | ||
| Naya Sal Me Ghumaibau Plen Se | Gunjan Singh, Shilpi Raj | D♭ Minor | 10 | 12A | 132 BPM | ||
| Nachaniya Sutawa Saiya | Shivani Singh | F♯ Minor | 10 | 11A | 122 BPM | ||
| Mama Ki Chori | Sahil Don Mewati | A Minor | 9 | 8A | 105 BPM |