"Direct Line To The Telepathic" by Flickerstick had its release date on October 18, 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Welcoming Home The Astronauts by Flickerstick. The song's track number on the album is #11 out of 12 tracks. In terms of popularity, Direct Line To The Telepathic is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Direct Line To The Telepathic by Flickerstick has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Direct Line To The Telepathic being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crash (Into Me) | The Gufs | G Major | 7 | 9B | 178 BPM | ||
| Been Here Before | Jeremy Enigk | F Major | 5 | 7B | 85 BPM | ||
| Money & Dealers | Flickerstick | D♭ Major | 7 | 3B | 122 BPM | ||
| You + I | Disorder | F Major | 7 | 7B | 170 BPM | ||
| Dragon Teeth and Razor Wire | Mark Lee Wilkins | D Minor | 8 | 7A | 133 BPM | ||
| Three Rivers | Sparta | D Major | 7 | 10B | 135 BPM | ||
| Temper | Lost Faculty | A Major | 8 | 11B | 68 BPM | ||
| The Prey | ASHES dIVIDE | F♯ Minor | 8 | 11A | 138 BPM | ||
| So At Last | Butch Walker | G Major | 6 | 9B | 95 BPM | ||
| (Say That) It Was Over | NO LOVE | D♭ Major | 6 | 3B | 170 BPM | ||
| Therapy | Collective Soul | A♭ Major | 7 | 4B | 92 BPM | ||
| Came Here for a Reason | Crown Of Things | A Major | 2 | 11B | 105 BPM | ||
| For The Sun | Ryan Adams | G Major | 6 | 9B | 92 BPM | ||
| All the Best Dreams | Codeseven | C Minor | 7 | 5A | 94 BPM | ||
| Sonic Sunrise | Audiovent | D Major | 8 | 10B | 135 BPM | ||
| Searching for a Song | The Verve Pipe | A♭ Major | 4 | 4B | 142 BPM | ||
| Medicine Ball - Single Edit | The Yearlings | C Major | 7 | 8B | 110 BPM | ||
| Kinder | David Garza | A Major | 9 | 11B | 144 BPM | ||
| I'm Expanding My Mind | Superdrag | D♭ Minor | 7 | 12A | 106 BPM | ||
| Dear Claudia | SouthFM | E Major | 7 | 12B | 110 BPM | ||
| Sometimes | Ours | E Minor | 8 | 9A | 91 BPM | ||
| A Littlepiece | Neverending White Lights | G Major | 5 | 9B | 141 BPM | ||
| Because Of You | Posh | C Major | 7 | 8B | 117 BPM | ||
| Made To Be Broken | Seven Mary Three | A♭ Major | 9 | 4B | 100 BPM | ||
| The Killer | The Twilight Singers | E♭ Major | 5 | 5B | 147 BPM |