"Stravinsky: Concerto for String Orchestra in D "Basle": II. Arioso. Andantino" by Igor Stravinsky, Sir Neville Marriner, Los Angeles Chamber Orchestra had its release date on September 26, 2025. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Stravinsky: Concerto for String Orchestra in D "Basle": II. Arioso. Andantino's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Stravinsky: Dumbarton Oaks, Concerto in D & Danses concertantes". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Stravinsky: Concerto for String Orchestra in D "Basle": II. Arioso. Andantino's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stravinsky: Concerto for String Orchestra in D "Basle": II. Arioso. Andantino by Igor Stravinsky, Sir Neville Marriner, Los Angeles Chamber Orchestra having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rêve Astral | Etoilee | F Minor | 8 | 4A | 119 BPM | ||
| Guerra e pace (Film Music Suite): Andrea e Natascha | Nino Rota, WDR Funkhausorchester Köln, Felix Bender | D Major | 2 | 10B | 76 BPM | ||
| Raymonda, Act I: Introduction (Moderato poco piu mosso) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | C Minor | 1 | 5A | 169 BPM | ||
| The Firebird Suite: VI. Finale - 1919 Version | Igor Stravinsky, Atlanta Symphony Orchestra, Robert Shaw | A Major | 0 | 11B | 100 BPM | ||
| Pulcinella Suite: II. Serenata - Live | Igor Stravinsky, New York Philharmonic, Kurt Masur | D Minor | 6 | 7A | 123 BPM | ||
| The Rite of Spring, K15, Pt. 2: XIV. Sacrificial Dance | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | A Minor | 5 | 8A | 127 BPM | ||
| On hearing the first Cuckoo in Spring | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 80 BPM | ||
| Pulcinella Suite: VIII. Minuetto—Finale - Live | Igor Stravinsky, New York Philharmonic, Kurt Masur | D Minor | 6 | 7A | 123 BPM | ||
| Concerto For Oboe And Strings: 3. Finale | Ralph Vaughan Williams, Neil Black, English Chamber Orchestra, Daniel Barenboim | G Major | 1 | 9B | 76 BPM | ||
| Sinfonietta, FP 141: I. Allegro con fuoco | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Major | 0 | 9B | 111 BPM | ||
| String of Pearls | The Royal Wind Music | E♭ Minor | 0 | 2A | 96 BPM | ||
| Meditative Flow | Rylandiaa | G Major | 2 | 9B | 136 BPM | ||
| Debussy: Children's Corner, L. 119: VI. Golliwog's Cake-walk (Orch. Caplet) | Claude Debussy, André Cluytens, Orchestre National Radiodiffusion Française | A Minor | 5 | 8A | 127 BPM | ||
| Suite for Variety Orchestra: V. Lyric Waltz | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IX. Das Diner | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson | A Minor | 5 | 8A | 127 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | A Minor | 5 | 8A | 127 BPM | ||
| Irish Isles Suite: I. Achill Island | Ailbhe McDonagh, RTE Concert Orchestra, David Brophy | A Minor | 1 | 8A | 72 BPM | ||
| L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
| Symphony No. 5 in A Minor, Op. 90 "Sinfonia brevis": III. Intermezzo | Erkki Melartin, Turku Philharmonic Orchestra, Ari Rasilainen | E Minor | 2 | 9A | 134 BPM | ||
| Suite de danzas criollas, Op. 15: I. Adagietto pianissimo | Alberto Ginastera, Simon Cohen, Jerusalem Symphony Orchestra, Gisele Ben-Dor | G Major | 0 | 9B | 144 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | B♭ Major | 2 | 6B | 77 BPM | ||
| Bacchanale - 1987 Remastered Version | Jacques Ibert, City Of Birmingham Symphony Orchestra, Louis Frémaux | E Major | 0 | 12B | 92 BPM | ||
| Montgomery Variations: I. The Decision – Andante deciso | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | D Minor | 0 | 7A | 141 BPM | ||
| Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM |