Bo Diddley, Muddy Waters, Howlin' Wolf's ' "Long Distance Call" was released on its scheduled release date, January 28, 1968. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "The Super Super Blues Band". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. The popularity of Long Distance Call is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Long Distance Call by Bo Diddley, Muddy Waters, Howlin' Wolf having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Feel So Good | J.B. Lenoir | B Minor | 6 | 10A | 130 BPM | ||
| Kind Hearted Woman Blues | Robert Johnson | B♭ Minor | 2 | 3A | 88 BPM | ||
| Shuggie's Boogie | Shuggie Otis | C Major | 4 | 8B | 77 BPM | ||
| Too Tired | Albert Collins | D Major | 7 | 10B | 136 BPM | ||
| Conversation with Collins | Albert Collins | A Minor | 2 | 8A | 146 BPM | ||
| Better Day | Brownie McGhee, Sonny Terry | D Major | 4 | 10B | 87 BPM | ||
| VIETCONG BLUES | JUNIOR WELLS' CHICAGO BLUES BAND | A Major | 4 | 11B | 79 BPM | ||
| Back Door Man | Howlin' Wolf | A Minor | 6 | 8A | 157 BPM | ||
| She-Wolf | Jessie Mae Hemphill | G Major | 4 | 9B | 160 BPM | ||
| B.B. King Medley: Sweet Little Angel/It's My Own Fault/How Blue Can You Get | Hour Glass | C Major | 4 | 8B | 164 BPM | ||
| Cut You Loose | T-Model Ford | E♭ Major | 7 | 5B | 176 BPM | ||
| Mean Old Frisco Blues - Remastered 2003 | Arthur "Big Boy" Crudup | A♭ Major | 2 | 4B | 187 BPM | ||
| Black Snake Moan | Blind Lemon Jefferson | D Major | 4 | 10B | 87 BPM | ||
| You Can't Lose What You Ain't Never Had | Muddy Waters | F Major | 4 | 7B | 109 BPM | ||
| Left My Happy Home | Billy Boy Arnold | F Major | 6 | 7B | 155 BPM | ||
| Purple | Shuggie Otis | F Minor | 5 | 4A | 166 BPM | ||
| My Babe | Bo Diddley, Muddy Waters, Little Walter | G Major | 8 | 9B | 131 BPM | ||
| Sweet Lovin' Mama | Johnny "Guitar" Watson | G Major | 6 | 9B | 115 BPM | ||
| Cuttin' In | Johnny "Guitar" Watson | B♭ Major | 4 | 6B | 83 BPM | ||
| You Shook Me | Willie Dixon | F Major | 3 | 7B | 183 BPM | ||
| I'm Your Main Man | Earl Hooker | B Minor | 4 | 10A | 78 BPM | ||
| Ramblin' On My Mind | Robert Johnson | B♭ Major | 2 | 6B | 102 BPM | ||
| That's All Right | Arthur "Big Boy" Crudup | C Major | 6 | 8B | 164 BPM | ||
| Welfare Blues | Jimmy Dawkins | F♯ Minor | 5 | 11A | 108 BPM | ||
| Still A Fool | Muddy Waters | C Minor | 5 | 5A | 80 BPM |