Anouar Brahem's 'Ronda' had a release date set for April 1, 1991. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 13 in Barzakh by Anouar Brahem. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Ronda is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Ronda by Anouar Brahem is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Define Humanity | Joseph Tawadros | B♭ Major | 2 | 6B | 95 BPM | ||
| Beat The Dream | Adnan Joubran, Jorge Pardo | D Major | 6 | 10B | 92 BPM | ||
| Holy Friday | Thomas Konstantinou | G Major | 2 | 9B | 131 BPM | ||
| Halinkata Djoubé | Ballaké Sissoko, Vincent Ségal | A Minor | 2 | 8A | 126 BPM | ||
| Le chevalier de Ouertane | Abderraouf Ouertani | D Major | 3 | 10B | 160 BPM | ||
| Taqsîm en maqâm : Nahawand-kabîr | Munir Bashir | C Minor | 2 | 5A | 143 BPM | ||
| Amours où trop tard je me suis pris | Amina Alaoui | C Major | 2 | 8B | 70 BPM | ||
| Kaf Skoon | Toufic Farroukh | D♭ Major | 7 | 3B | 101 BPM | ||
| Consideration | Tuva Halse | C Minor | 0 | 5A | 104 BPM | ||
| No Suger Please | We Are Jazz | E♭ Major | 3 | 5B | 95 BPM | ||
| Awal | Rajery, Ballaké Sissoko, Driss El Maloumi | C Major | 3 | 8B | 153 BPM | ||
| A Better Tomorrow | Rabih Abou-Khalil, Gavino Murgia, Luciano Biondini, Michel Godard, Jarrod Cagwin | B♭ Major | 2 | 6B | 157 BPM | ||
| Para Túnez. For Túnez | Naseer Shamma, Shabbaz Hussain, Ashraf Sharif Khan | G Minor | 5 | 6A | 89 BPM | ||
| Tanâsim 1 | Le Trio Joubran | F Major | 1 | 7B | 79 BPM | ||
| Teardrop / Ya Habibi | Paolo Fresu, Omar Sosa, Natacha Atlas | D Minor | 3 | 7A | 70 BPM | ||
| Taqsîm Maqâm Hijâz Kâr Kurd, pt. 1 | Omar Bashir | F Minor | 1 | 4A | 104 BPM | ||
| Fayrouz Blues | Toufic Farroukh | D Minor | 3 | 7A | 76 BPM | ||
| Bath of Forgiveness in the Moonlight - Radio Edit | Naïssam Jalal | C Minor | 0 | 5A | 104 BPM | ||
| Rabou-Abou-Kabou | Rabih Abou-Khalil | A Major | 4 | 11B | 124 BPM | ||
| Down Town - Instrumentale | Karim Baggili, Le Trio Joubran | G Minor | 6 | 6A | 96 BPM | ||
| À chaque instant | Renaud Garcia-Fons, Claire Antonini | C Major | 2 | 8B | 79 BPM | ||
| Mako Mady | Ballaké Sissoko, Vincent Ségal | F Major | 1 | 7B | 76 BPM | ||
| Bororo Dance | Henri Texier, Aldo Romano, Louis Sclavis | D♭ Minor | 6 | 12A | 114 BPM | ||
| Ollin Arageed | Hamza El Din | D♭ Major | 4 | 3B | 91 BPM | ||
| Aton | Karim Baggili | C Minor | 1 | 5A | 92 BPM |