"The Mountain" by John Williams had its release date on 1977. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 26 in Close Encounters Of The Third Kind by John Williams. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Mountain is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Mountain by John Williams is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Terrace | John Williams | D Major | 2 | 10B | 76 BPM | ||
| O.C.P. Monitors | Basil Poledouris | F Major | 1 | 7B | 104 BPM | ||
| Maul's Call / Parting Ways (7M43-44-45) | John Powell, John Williams | E Minor | 1 | 9A | 110 BPM | ||
| Fantastic Journey | Richard Philip Birdsall | G Major | 2 | 9B | 58 BPM | ||
| Korgar | Koda Bark | F♯ Major | 5 | 2B | 131 BPM | ||
| Lightshow | John Williams | F Minor | 1 | 4A | 98 BPM | ||
| Tell Me Everything | John Ottman | G Minor | 2 | 6A | 51 BPM | ||
| Frankie's Decision | Clint Eastwood | C Major | 1 | 8B | 143 BPM | ||
| Abandoned in the Woods | John Williams | A Minor | 2 | 8A | 85 BPM | ||
| Near the End | Paulo Thomas, Paul Thomas | E♭ Minor | 2 | 2A | 67 BPM | ||
| Suite From The Visitor - Steve O's Cue / Freaked Out | Various Artists | G Major | 1 | 9B | 187 BPM | ||
| Whispering Statues (Part I: Whispers/Part: Two Faced) | Éric Serra | E♭ Major | 0 | 5B | 71 BPM | ||
| To Think Of A Story | Patrick Doyle | B♭ Minor | 9 | 3A | 128 BPM | ||
| The Eye Of The Storm | Michael Kamen | E Minor | 5 | 9A | 138 BPM | ||
| Mowgli's Leaving - Elephant Theme | John Debney | D♭ Minor | 1 | 12A | 109 BPM | ||
| Fledglings | George Fenton | D♭ Major | 2 | 3B | 116 BPM | ||
| Crossing Mars | Harry Gregson-Williams | C Minor | 1 | 5A | 70 BPM | ||
| Pops Salutes The Oscars | Leigh Harline, Jimmy Van Heusen, Henry Mancini, Burt Bacharach, Marvin Hamlisch, Johnny Mandel, Boston Pops Orchestra, John Williams | F Minor | 1 | 4A | 136 BPM | ||
| Foreign Visitors Arrive | Patrick Doyle | G Major | 3 | 9B | 83 BPM | ||
| Treasure, Data & Mouth And Walk The Plank | Dave Grusin | C Major | 2 | 8B | 120 BPM | ||
| Bats / Evidence Goes Up In Smoke / The Formula / Dr. Jekyll and Mr. Bat - From The Episode "On Leather Wings" | Shirley Walker | E Minor | 2 | 9A | 79 BPM | ||
| Into The Forest | Michael Kamen | D♭ Major | 3 | 3B | 115 BPM | ||
| Sabotage - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | F♯ Major | 1 | 2B | 136 BPM | ||
| The Play (Part II) - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | A Minor | 1 | 8A | 78 BPM | ||
| The Time Machine | Klaus Badelt | A Minor | 1 | 8A | 59 BPM |