On June 9, 1995, the song "Sambho Hara Hara" was released by Parupalli Ranganath. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Srisaila Mallikarjuna Bhajanalu". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. Based on our statistics, Sambho Hara Hara's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Sambho Hara Hara by Parupalli Ranganath having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sri Kanaka Durga | Parupalli Ranganath | E♭ Minor | 6 | 2A | 101 BPM | ||
| Aidu Girisudu Hari Hara Nandana Ayyappa Deva | Dappu Srinu | F♯ Minor | 5 | 11A | 92 BPM | ||
| Ganesha Stotram | S.P. Balu | F Major | 5 | 7B | 132 BPM | ||
| Karunaala Bala Ganapatti | Narsing Rao | G Minor | 8 | 6A | 106 BPM | ||
| Hanume Nindina | Chakravakam Banti | A♭ Major | 7 | 4B | 95 BPM | ||
| Pasupoocherakatti | Bombay Saradha | A Minor | 5 | 8A | 130 BPM | ||
| Sitammaku Mangalam | M V Kamala Ramani, B Aruna, R Bhuvana | D♭ Major | 6 | 3B | 144 BPM | ||
| Adigo Bhadradri | Parupalli Sri Ranganath | C Major | 8 | 8B | 134 BPM | ||
| Mangalam | B. Vasantha | C Major | 4 | 8B | 126 BPM | ||
| Shambo Mahesa | Parupalli Sri Ranganath | C Major | 6 | 8B | 86 BPM | ||
| Jyoti Veligenu | K. Veeramani | E♭ Major | 6 | 5B | 149 BPM | ||
| Lingastakam-Brama Murari Surarchita Lingam | Kumar Swamy | G Minor | 6 | 6A | 120 BPM | ||
| Dandalamma | Parupalli Ranganath | G Major | 5 | 9B | 91 BPM | ||
| Sree Ramayana | K.S.Deekshith, Samavadam Shanmuga Sharma, Unnikrishnan | F Major | 5 | 7B | 96 BPM | ||
| Namo Namo Hanumanta | Parupalli Ranganath, Ramana | C Major | 4 | 8B | 120 BPM | ||
| Ramayya Kalyanam | Anil Kumar | G Major | 8 | 9B | 116 BPM | ||
| Sri Sani Sthotram | Parupalli Sri Ranganath | A Major | 5 | 11B | 80 BPM | ||
| Anduko Harati | Kalluri Muralikrishna | F Major | 4 | 7B | 150 BPM | ||
| Ye He Murare Kunjavihare | Unnikrishnan | G Major | 5 | 9B | 78 BPM | ||
| Machha Koorma | Priya Sisters | B♭ Minor | 5 | 3A | 135 BPM | ||
| Kuripinchumu Deva | Thandri Sannidhi Ministries | F♯ Minor | 7 | 11A | 92 BPM | ||
| Kappaayamma | Krishanraj, Parupalli Ranganath, S. Ramanathan | G Major | 5 | 9B | 90 BPM | ||
| Emani Keerthinthu | Partha Saradhi | B Minor | 6 | 10A | 110 BPM | ||
| Sri Sai Ashtakam | B.Ramana, Parupalli Ranganath | A♭ Major | 4 | 4B | 88 BPM | ||
| Mahima Pogada Taramaa | Swapna | F♯ Minor | 6 | 11A | 140 BPM |