Michael Lord, Olivia Applegate's ' "The Letting Go" was released on its scheduled release date, June 3, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 13 in Driven Season 1 (Songs from the Passionflix Series) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. In terms of popularity, The Letting Go is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of The Letting Go by Michael Lord, Olivia Applegate is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hold On To The Wonder | Oscar Fogelström | F♯ Major | 3 | 2B | 138 BPM | ||
| Strength in Me | Stevie Gold | A♭ Minor | 4 | 1A | 180 BPM | ||
| It Don't Matter To The Sun | Rosie Thomas | D Major | 1 | 10B | 81 BPM | ||
| Higher and Higher | Scars On 45 | C Major | 5 | 8B | 178 BPM | ||
| Dark (feat. Rachel Sermanni) | Peter Katz, Rachel Sermanni | D Major | 1 | 10B | 118 BPM | ||
| The Story | Davis Naish | A Major | 0 | 11B | 97 BPM | ||
| Lonely Nights (Acoustic) | Noelle Johnson | D Major | 3 | 10B | 134 BPM | ||
| Our Voices | Matthew Barber | E Major | 2 | 12B | 139 BPM | ||
| We Can Go Home | Tom Rhodes | C Major | 1 | 8B | 63 BPM | ||
| Last Call Lullaby | TONY MAMBO | B♭ Minor | 3 | 3A | 174 BPM | ||
| 11:11 | Jessica Lowndes | B Minor | 4 | 10A | 110 BPM | ||
| Something Better Coming | Aardwolves, Alexandria Maillot | B Major | 2 | 1B | 79 BPM | ||
| Until We Meet Again | Kat Kennedy | B Major | 3 | 1B | 81 BPM | ||
| Fly Fly Fly (feat. Christian Campbell) | Brooke White, Christian Campbell | A Minor | 2 | 8A | 75 BPM | ||
| All We Are - Acoustic Version | Matt Nathanson | E Major | 1 | 12B | 150 BPM | ||
| How Do You Say Goodbye | Phillip LaRue | E♭ Major | 1 | 5B | 78 BPM | ||
| Cause I Get to Love You | Bryan Weirmier | B Major | 6 | 1B | 121 BPM | ||
| Homage for the Suffering | Matthew Perryman Jones | C Major | 2 | 8B | 82 BPM | ||
| The World Goes By | Margot Todd | G Major | 0 | 9B | 76 BPM | ||
| Something or Someone | Tom Bromley | E♭ Major | 2 | 5B | 106 BPM | ||
| Have I Ever Left Your Side? | Aron Wright | A Minor | 4 | 8A | 139 BPM | ||
| 9 Crimes | Katherine Crowe | C Major | 2 | 8B | 143 BPM | ||
| The Promise | Ryan Innes | C Major | 3 | 8B | 119 BPM | ||
| I Wake Up | The Glorious | A♭ Minor | 2 | 1A | 89 BPM | ||
| Can't Lose You | Rob Cass, Brendan John William Cox, Emma Patricia Murdoch | G Minor | 4 | 6A | 110 BPM |