"Epitaph for Louis Chauvin" by William Bolcom, John Murphy had its release date on April 1, 1999. This song is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. The song is number 3 out of 22 in Complete Rags by William Bolcom, John Murphy. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Epitaph for Louis Chauvin is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Epitaph for Louis Chauvin by William Bolcom, John Murphy is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM | ||
| Arabesque No. 1, Op. 61 | Cécile Chaminade, Mark Viner | G Major | 0 | 9B | 126 BPM | ||
| Ballet: V. Temps de blues | Federico Mompou, Gottlieb Wallisch | B♭ Major | 2 | 6B | 138 BPM | ||
| Miscellanea, Op. 16: IV. Nocturne in B-Flat Major | Ignacy Jan Paderewski, Jan Lisiecki | G Major | 1 | 9B | 83 BPM | ||
| Intermezzo No. 1 for Piano | Manuel Ponce, Jorge Federico Osorio | E Minor | 1 | 9A | 72 BPM | ||
| Nocturnes, Op. 9: No. 1 in B Flat Minor. Larghetto | Frédéric Chopin, Jan Lisiecki | B♭ Minor | 0 | 3A | 72 BPM | ||
| Graceful Ghost Rag: (Bolcom) | William Bolcom, Eugene Barban | B♭ Minor | 0 | 3A | 110 BPM | ||
| Rachmaninov: 2 Pieces, Op. 2: No. 1, Prelude | Sergei Rachmaninoff, Truls Mørk, Jean-Yves Thibaudet | F Major | 0 | 7B | 63 BPM | ||
| Etude in C-Sharp Minor, Op. 2/1 | Alexander Scriabin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 70 BPM | ||
| ラ・カンパネラ 「パガニーニ大練習曲集」より 第3曲 | Liszt, 石井琢磨 | A♭ Minor | 2 | 1A | 98 BPM | ||
| 3 Classic Rags: No. 1, Glad Rag | William Bolcom, Spencer Myer | E♭ Major | 1 | 5B | 139 BPM | ||
| Miscellanea, Op. 16: 4. Nocturne in B-Flat Major | Ignacy Jan Paderewski, Nelson Freire | B♭ Major | 0 | 6B | 72 BPM | ||
| Producto de sus elecciones | Padre GainsCone | C Minor | 2 | 5A | 100 BPM | ||
| Enchanted Hills | Marina Baranova | A Major | 1 | 11B | 67 BPM | ||
| Irlandaise, Pt. 1 | Claude Bolling, Jean-Pierre Rampal, Max Hédiguer, Marcel Sabiani | A Minor | 1 | 8A | 114 BPM | ||
| Le tombeau de Couperin, M. 68: I. Prélude | Maurice Ravel, Seong-Jin Cho | E Major | 2 | 12B | 142 BPM | ||
| Tales "Skazki", Op. 26: III. Narrante a piacere | Nikolai Medtner, Anna Gourari | F Minor | 0 | 4A | 62 BPM | ||
| Five Preludes, Op. 15: No. 3 - Allegro Assai | Alexander Scriabin, Evgeny Kissin | E Major | 1 | 12B | 201 BPM | ||
| Air de ballet, Op. 30 | Cécile Chaminade, Eric Parkin | E Minor | 1 | 9A | 125 BPM | ||
| Ravel: Sonatine, M. 40: I. Modéré | Maurice Ravel, Bertrand Chamayou | F♯ Minor | 1 | 11A | 67 BPM | ||
| Valse Mignon | Vladimir Rebikov, Christopher Ferreira | G Major | 1 | 9B | 167 BPM | ||
| Guitarre. Op. 45, No.2 G Major - Duo-Art 6173 | Moritz Moszkowski, Guiomar Novaes, Peter Phillips | G Major | 1 | 9B | 123 BPM | ||
| Valse, FP 53 | Francis Poulenc, Dario Müller | C Major | 2 | 8B | 102 BPM | ||
| Glinka / Arr Balakirev : The Lark | Mikhail Glinka, Izumi Tateno | B♭ Minor | 1 | 3A | 65 BPM | ||
| Symphony No. 5: IV. Adagietto. Sehr langsam (Arr. Hewitt) | Gustav Mahler, Angela Hewitt | G Major | 0 | 9B | 63 BPM |