"Of The Time We Were Happy" by Lowering had its release date on June 16, 2018. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 8 in Brooklyn by Lowering. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Of The Time We Were Happy is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Of The Time We Were Happy by Lowering is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nachtwache, 15. September | Kammerflimmer Kollektief | F♯ Major | 4 | 2B | 175 BPM | ||
| Heralds | Wordclock | D♭ Minor | 2 | 12A | 78 BPM | ||
| Stray | David Allred | B Major | 1 | 1B | 74 BPM | ||
| When the Night Calls | Dead Melodies | A♭ Minor | 5 | 1A | 102 BPM | ||
| Bondage To Formula | Kali Malone | E Minor | 0 | 9A | 70 BPM | ||
| Other Days | Black Chamber | G Major | 3 | 9B | 81 BPM | ||
| completed nihilism | mouse on the keys | B Minor | 0 | 10A | 62 BPM | ||
| Ma Insaisissable Abri | The Dale Cooper Quartet | A♭ Major | 3 | 4B | 104 BPM | ||
| Mirage | Earth | G Major | 0 | 9B | 120 BPM | ||
| Violet Wash | Tor Lundvall | B♭ Minor | 1 | 3A | 63 BPM | ||
| Too Much Love | Romance | C Minor | 2 | 5A | 72 BPM | ||
| Path of Devotion | Anthony Linell | D Major | 1 | 10B | 76 BPM | ||
| Necro Ophelia | Bebopovsky And The Orkestry Podyezdov | G Major | 5 | 9B | 95 BPM | ||
| Calbombe Camoufle Fretin | The Dale Cooper Quartet | G Major | 4 | 9B | 129 BPM | ||
| The Story of Ann | Lowering | E Major | 4 | 12B | 130 BPM | ||
| Lonely Executive | Midnight Smoke | A Minor | 1 | 8A | 110 BPM | ||
| Won't Be a Thing to Become | Colin Stetson, Sarah Neufeld | C Major | 3 | 8B | 91 BPM | ||
| Dale Cooper's Theme | Côte Déserte | A Major | 2 | 11B | 65 BPM | ||
| Strange Dreams | The Mount Fuji Doomjazz Corporation | A Major | 3 | 11B | 79 BPM | ||
| Hetoimasia | Jozef Van Wissem and Jim Jarmusch, Jozef Van Wissem, Jim Jarmusch | E Major | 3 | 12B | 79 BPM | ||
| Melancholia I | William Basinski | E Major | 1 | 12B | 80 BPM | ||
| Vendredi Noir | Manet | G Minor | 0 | 6A | 83 BPM | ||
| Birth Marks | Vile Karimi | A♭ Major | 1 | 4B | 83 BPM | ||
| Shasta Fey | Dewey Martino | A♭ Minor | 2 | 1A | 107 BPM | ||
| Absurdo | Joel Fausto & Illusion Orchestra | A Minor | 1 | 8A | 121 BPM |