Suman Kalyanpur, Mohammed Rafi, Laxmikant–Pyarelal's ' "Jaan Chali Jaye" was released on its scheduled release date, January 1, 1969. This song is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The song is number 3 out of 6 in Anjaana by Laxmikant–Pyarelal, Anand Bakshi. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Jaan Chali Jaye's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Jaan Chali Jaye by Suman Kalyanpur, Mohammed Rafi, Laxmikant–Pyarelal is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chura Le Na Tumko Ye Mausam Suhana | Suman Kalyanpur, Mukesh | D Major | 5 | 10B | 80 BPM | ||
| Aanchal Udaya Maine | Shabbir Kumar, Kavita Krishnamurthy | D Major | 7 | 10B | 168 BPM | ||
| Lal Dupatta Malmal Ka (Sad) | Mohammed Aziz | C Major | 5 | 8B | 121 BPM | ||
| Yeh Na Thi Hamaari Kismat | Suraiya | F Minor | 4 | 4A | 139 BPM | ||
| Aur Nahin Bas Aur Nahin | Mahendra Kapoor, Laxmikant–Pyarelal | E♭ Major | 3 | 5B | 102 BPM | ||
| Hamse Ka Bhool Huyi | Anwar Hussain | A Major | 3 | 11B | 107 BPM | ||
| Bhari Duniya Mein | Mohammed Rafi | A Minor | 4 | 8A | 102 BPM | ||
| Tumse Milkar Na Jane (Male Version) | Shabbir Kumar | E♭ Major | 5 | 5B | 102 BPM | ||
| Kabhie Kisi Ko Muqammal Jahan - Ahista Ahista / Soundtrack Version | Bhupinder Singh | A Major | 3 | 11B | 98 BPM | ||
| Main Jaan Gayu Tujhe Saiyaan (From "Howrah Bridge") | Shamshad Begum, Mohammed Rafi | G Major | 5 | 9B | 164 BPM | ||
| Hiraasat Hai Teh Hiraasat | Mohammed Aziz | G Major | 7 | 9B | 147 BPM | ||
| Lambi Judaai | Reshma, Laxmikant–Pyarelal | B Major | 5 | 1B | 136 BPM | ||
| Dil Ko Teri Tasveer Se | Suraiya, Mohammed Rafi | A♭ Major | 3 | 4B | 138 BPM | ||
| Na Na Karte Pyar Tumhin Se | Suman Kalyanpur, Mohammed Rafi | F♯ Major | 6 | 2B | 198 BPM | ||
| Gupit Ek Sangate Dupari | Suman Kalyanpur | E Major | 2 | 12B | 138 BPM | ||
| Aai Yar Teri Yari - From "Waqt Ki Deewar" | Kishore Kumar, Mohammed Rafi | F♯ Minor | 9 | 11A | 114 BPM | ||
| Yeh Rakhi Pyar Mohabbat Ki | Bhupesh Hussanlal, Anwar Hussain, Chandrani Mukherjee | D♭ Minor | 6 | 12A | 88 BPM | ||
| Rim Jhim Ke Geet | Lata Mangeshkar, Mohammed Rafi, Laxmikant–Pyarelal | A Minor | 3 | 8A | 150 BPM | ||
| Rimjhim Ke Tarane Leke Aai Barsaat | Geeta Dutt, Mohammed Rafi | F♯ Major | 4 | 2B | 100 BPM | ||
| Kahan Jate Ho Ruk Jaao - Dulha Bikta Hai / Soundtrack Version | Anwar | B♭ Minor | 3 | 3A | 107 BPM | ||
| Main Tera Ashiq Hoon | Roop Kumar Rathod, Laxmikant–Pyarelal | B Major | 8 | 1B | 123 BPM | ||
| Sulagati Hain Aankhen | Mohammed Aziz, Anuradha Paudwal | F♯ Minor | 5 | 11A | 137 BPM | ||
| Dil De Na | Usha Mangeshkar, Kanchan, Kalyanji-Anandji | G Major | 6 | 9B | 107 BPM | ||
| Phir Wohi Sham Wohi Gham | Talat Mahmood | D♭ Major | 4 | 3B | 76 BPM | ||
| Ek Din Tum Bahut Bade Banoge | Hemlata, Shailendra Singh, Ravindra Jain | E Major | 3 | 12B | 174 BPM |