"Keep Turning - Kara" by Philip Sheppard had its release date on 2018. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Keep Turning - Kara's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 85 in Detroit: Become Human (Original Soundtrack) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Keep Turning - Kara's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Keep Turning - Kara by Philip Sheppard is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Spotting Movement | Harry Gregson-Williams | D♭ Major | 0 | 3B | 130 BPM | ||
| Consumed | Anthony Caruso, JD Mayer | E Major | 0 | 12B | 134 BPM | ||
| Lockhouse | Thomas Newman | G Major | 3 | 9B | 97 BPM | ||
| Et Ratio Principalis | Petri Alanko | A Major | 4 | 11B | 128 BPM | ||
| Just Another Weapon | P.T. Adamczyk | A Minor | 1 | 8A | 120 BPM | ||
| Amaiera | Joseph Trapanese | E Minor | 3 | 9A | 83 BPM | ||
| No Gravity | Mick Gordon | C Minor | 4 | 5A | 106 BPM | ||
| Vignette: Visions | Disasterpeace | D♭ Major | 0 | 3B | 120 BPM | ||
| Prisoners | Jóhann Jóhannsson | C Minor | 2 | 5A | 89 BPM | ||
| Falling, for electric cello | Joby Talbot, Philip Sheppard, Ivor Talbot | D♭ Major | 0 | 3B | 100 BPM | ||
| The Notebooks | Yann Van Der Cruyssen | A♭ Minor | 1 | 1A | 120 BPM | ||
| Calvin's Swingset | Jeff Russo | G Minor | 0 | 6A | 76 BPM | ||
| The Island | Mac Quayle | B♭ Minor | 5 | 3A | 95 BPM | ||
| Done For The Night | Theodore Shapiro | D♭ Major | 3 | 3B | 136 BPM | ||
| Leaving the Farm | Marco Beltrami | E Major | 1 | 12B | 83 BPM | ||
| End Titles | Philip Sheppard | E Minor | 3 | 9A | 65 BPM | ||
| The Night Café | Clint Mansell | D Minor | 3 | 7A | 113 BPM | ||
| Rite Of Passage | P.T. Adamczyk | D Major | 4 | 10B | 81 BPM | ||
| Sacrifice of Tradition | Ilan Eshkeri | C Minor | 6 | 5A | 160 BPM | ||
| Revenge Is A Dish Best Eaten | Mario Batkovic, Woody Jackson | E Major | 3 | 12B | 120 BPM | ||
| This Is How I Fight | Son Lux | A Minor | 3 | 8A | 96 BPM | ||
| Don't Be What They Made You | Marco Beltrami | F Major | 0 | 7B | 140 BPM | ||
| Hanako & Yorinobu | Paul Leonard-Morgan | F Major | 4 | 7B | 120 BPM | ||
| Inner Demon | Nick Arundel | D♭ Major | 1 | 3B | 119 BPM | ||
| Connor and Hank - Connor | Nima Fakhrara | E Minor | 1 | 9A | 138 BPM |