"How They Met" by Thomas Morse had its release date on June 12, 2006. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. How They Met's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Sisters (Original Motion Picture Score)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Sweden. Based on our statistics, How They Met's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With How They Met by Thomas Morse having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elysian Nocturne | Elena Vesova | G Minor | 0 | 6A | 81 BPM | ||
| Himnos del Limbo | Ninfas De Ultramar | F Minor | 2 | 4A | 148 BPM | ||
| Miedos Normales | Las Eternas | A♭ Minor | 2 | 1A | 120 BPM | ||
| Médecin et les genoux | Stephen Warbeck | C Minor | 0 | 5A | 132 BPM | ||
| Volcano | Roy Ricardo, Ricc Roy | A Major | 2 | 11B | 85 BPM | ||
| Once Again on the Bridge | Maurizio Malagnini | D Major | 0 | 10B | 183 BPM | ||
| Signs of Life | Anne Dudley | E Minor | 2 | 9A | 84 BPM | ||
| Soft Reflections in Blue | Frostglade | F Minor | 2 | 4A | 148 BPM | ||
| Good Morning | Christopher Bentley Kemp, Thomas Morse | E♭ Major | 2 | 5B | 122 BPM | ||
| Thirst | Ana Krstajić, F.A.M.E.'S. Macedonian Radio Symphonic Orchestra | A Minor | 0 | 8A | 101 BPM | ||
| Daydream Delight | Thornton III Jenkins, Thomas Morse | A Major | 2 | 11B | 108 BPM | ||
| Las Plazas Libres | Los Triunfadores | C Major | 4 | 8B | 83 BPM | ||
| Complejo De Inferioridad | Las Guerreras | E Major | 1 | 12B | 77 BPM | ||
| Imagine This | James Haun, Thomas Morse | C Major | 2 | 8B | 143 BPM | ||
| From Here to Eternity | Stefan Kraft | D Minor | 1 | 7A | 98 BPM | ||
| Juegos | Emanuela Dellana | D♭ Major | 0 | 3B | 176 BPM | ||
| Pain | Alken Menses, Alk Mezain | D Major | 3 | 10B | 90 BPM | ||
| Poderes de la Mente | Ninfas De Ultramar | F Minor | 2 | 4A | 148 BPM | ||
| The Hidden Key | Dexter Britain | A♭ Major | 1 | 4B | 120 BPM | ||
| Necropolitans | Dynamedion | F Major | 3 | 7B | 75 BPM | ||
| SYNTHETIC | Dj Atreus | F Minor | 2 | 4A | 148 BPM | ||
| Sperm Whale | Ho-Ling Tang | G Major | 2 | 9B | 96 BPM | ||
| Rooms Behind Rooms | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
| Peace in the Chaos - Aren't we all the same | Pekka Westerholm | F Major | 1 | 7B | 78 BPM | ||
| First Settlements | Markus Zierhofer | A Minor | 1 | 8A | 81 BPM |