Ravindra Jain, Sushil Kumar, Hemlata's ' "Nahi Dosh" was released on its scheduled release date, December 27, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 7 in Chintamani Parasnath Pujan by Ravindra Jain. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Nahi Dosh is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Nahi Dosh by Ravindra Jain, Sushil Kumar, Hemlata is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ye Maya Teri Bahut Kathin Hain Ram | Manoj Mishra | A♭ Major | 8 | 4B | 80 BPM | ||
| Radhe Radhe Rato Chale Aayenge Bihari | Sonal Gadhvi | D♭ Major | 9 | 3B | 142 BPM | ||
| Hey Naam Re | Kishan Bhagat, Pankaj Budrani | F♯ Major | 8 | 2B | 150 BPM | ||
| He Ram Tum Bade Dayalu Ho | Anil Hanslas | G Minor | 6 | 6A | 78 BPM | ||
| Shree Radha Mohan Shyam Shobhan | Manna Dey, Laxmikant–Pyarelal | D Major | 3 | 10B | 95 BPM | ||
| Kanji Tari Maa Keshe | Arvind Barot, Lalita Ghodadra | G Minor | 5 | 6A | 129 BPM | ||
| Gobind Mero Hai | Mridul Krishan Shastri | F♯ Major | 6 | 2B | 74 BPM | ||
| Hey Gopal Krishna karun Aarti teri | Devoleena Bhattacharjee | D♭ Major | 6 | 3B | 140 BPM | ||
| Itna To Karna Swami Jab Pran Tan Se Nikle | Anup Jalota | D♭ Major | 3 | 3B | 109 BPM | ||
| He Ri Sakhi Mangal Gaao Ri | Mishra Bandhu | D♭ Major | 9 | 3B | 101 BPM | ||
| Raat Shayam Sapne Mein Aaye | Piyusha-Kailash Anuj | B♭ Minor | 8 | 3A | 82 BPM | ||
| Mujhe Charno Se Lagale | Mridul Krishan Shastri | F♯ Major | 6 | 2B | 81 BPM | ||
| Geeta Gyan - Sab Dharmo Ko Bhulake Ek Mera Sharnagat Hoja | Ravindra Jain, Shiv Kumar | C Major | 7 | 8B | 86 BPM | ||
| Karuna Karo Kasht Haro Gyan Do Bhagwan Krishna Bhajan | Mahesh Hiremath | A♭ Minor | 4 | 1A | 138 BPM | ||
| Jo Karte Rahoge Bhajan Dheere Dheere | Prem Bhushan Maharaj | D Major | 4 | 10B | 114 BPM | ||
| Krishna Manmohana | Chitra Roy | A♭ Major | 1 | 4B | 66 BPM | ||
| Shiv Ji Bihane Chale Palki Sajay Ke | Gandharv Negi | A♭ Major | 8 | 4B | 116 BPM | ||
| Idhar Bhi Ishwar Udhar Bhi - With Dialogue | Sushma Shrestha, Kamal Barot, Hemlata, Various Artists, Kalyanji-Anandji | A♭ Major | 6 | 4B | 83 BPM | ||
| Jai Jai Ram Jai Shri Ram | Mohammed Rafi | G Major | 3 | 9B | 122 BPM | ||
| Mangal Murti Ram Dulare | Manoj Mishra | D Minor | 6 | 7A | 95 BPM | ||
| Shyama Tere Charno Ki | Sanjay Mittal | F Major | 6 | 7B | 178 BPM | ||
| Sawali Surat Par Mohan Dil Diwana Ho Gaya | jhukur singh | C Major | 9 | 8B | 100 BPM | ||
| Radha Raman Mere Ghar Aavenge | Harinaam Das | E Minor | 9 | 9A | 111 BPM | ||
| Sancha Naam Tera | Asha Bhosle, Usha Mangeshkar | A♭ Major | 4 | 4B | 83 BPM | ||
| Hanuman Tumhare Charno Mein | Devendra Pathak | F♯ Major | 9 | 2B | 75 BPM |