Aztec Camera's 'We Could Send Letters' had a release date set for 1983. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The track order of this song in Aztec Camera's "High Land, Hard Rain" album is number 5 out of 13. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, We Could Send Letters is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of We Could Send Letters by Aztec Camera to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love Resurrection | Alison Moyet | A Minor | 6 | 8A | 123 BPM | ||
| Queen of The New Year | Deacon Blue | D Major | 10 | 10B | 112 BPM | ||
| Nobody's Diary | Yazoo | A Major | 7 | 11B | 129 BPM | ||
| All Stood Still | Ultravox | C Minor | 4 | 5A | 175 BPM | ||
| Loaded | Deacon Blue | D Major | 7 | 10B | 113 BPM | ||
| Someone's Looking At You | The Boomtown Rats | B Major | 8 | 1B | 131 BPM | ||
| If I Was - 2010 Remaster | Midge Ure | C Major | 8 | 8B | 127 BPM | ||
| Brighter | The Railway Children | G Major | 9 | 9B | 128 BPM | ||
| Killermont Street | Aztec Camera | C Major | 3 | 8B | 80 BPM | ||
| Come Back (The Story of the Reds) / The Devil In Miss Jones - Combined and Extended | Pete Wylie & The Mighty WAH! | C Major | 8 | 8B | 125 BPM | ||
| Oblivious - 12" Extended Mix | Aztec Camera | A Major | 8 | 11B | 113 BPM | ||
| How Men Are | Aztec Camera | G Major | 4 | 9B | 92 BPM | ||
| Take | The Colourfield | G Major | 5 | 9B | 129 BPM | ||
| Last Time Forever | Squeeze | F Major | 5 | 7B | 176 BPM | ||
| Wishing (If I Had a Photograph of You) | A Flock Of Seagulls | D♭ Major | 8 | 3B | 120 BPM | ||
| They Don't Know | Kirsty MacColl | B Major | 6 | 1B | 112 BPM | ||
| How She Threw It All Away | The Style Council | D♭ Minor | 9 | 12A | 120 BPM | ||
| Jump | Aztec Camera | C Major | 5 | 8B | 115 BPM | ||
| Knife | Aztec Camera | A Major | 1 | 11B | 98 BPM | ||
| Head Is Happy - Heart's Insane | Aztec Camera | A Major | 4 | 11B | 107 BPM | ||
| Mind Of A Toy | Visage | B Minor | 6 | 10A | 138 BPM | ||
| To Cut a Long Story Short - 2010 Remaster | Spandau Ballet | D Major | 9 | 10B | 142 BPM | ||
| Monsters and Angels | Voice Of The Beehive, Julian Mendelsohn | A Major | 6 | 11B | 82 BPM | ||
| Lean on Me (Ah-li-ayo) | Red Box | F Major | 9 | 7B | 173 BPM | ||
| Don't Call Me Baby | Voice Of The Beehive | D Major | 7 | 10B | 124 BPM |