On January 1, 1992, the song "Como Te Voy A Olvidar" was released by Ricardo Boscan. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 8 in Fuera De La Ley by Ricardo Boscan. In terms of popularity, Como Te Voy A Olvidar is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Como Te Voy A Olvidar by Ricardo Boscan is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hace Un Mes | Kim De Los Santos | F Minor | 6 | 4A | 85 BPM | ||
| Amiga Mia | Gunda Merced y Su Salsa Fever | F Major | 7 | 7B | 83 BPM | ||
| Demasiado Tarde | Santiago Ceron | F Minor | 7 | 4A | 91 BPM | ||
| Déjamela a Mi | Hugo Aguilar | G Major | 7 | 9B | 89 BPM | ||
| Si No Fueras De Él | Rubén Sierra | B♭ Minor | 6 | 3A | 176 BPM | ||
| Alma De Niña, Piel De Mujer | Ricardo Boscan | G Major | 5 | 9B | 197 BPM | ||
| Asi Soy Yo | Musical Productions All Stars | B Minor | 4 | 10A | 95 BPM | ||
| Oasis | Grupo Chango | F Minor | 7 | 4A | 165 BPM | ||
| Con Pocas Palabras Basta | Orquesta Mulenze | A Minor | 7 | 8A | 101 BPM | ||
| Atrevete | Pedro Conga | C Major | 6 | 8B | 91 BPM | ||
| Te Pido Perdon | Matecana Orquesta | B Minor | 5 | 10A | 90 BPM | ||
| Imaginate Mis Manos | Moncho Santana | G Minor | 7 | 6A | 166 BPM | ||
| Te Mereces la Gloria | Tito Gomez | B Minor | 6 | 10A | 92 BPM | ||
| Como Nunca Nadie | Luis Castro | A♭ Major | 6 | 4B | 92 BPM | ||
| Hay Otra en Tu Lugar | Ray Sepulveda | A Minor | 7 | 8A | 164 BPM | ||
| Olvidame | La Presion | A♭ Major | 9 | 4B | 175 BPM | ||
| Pretenciosa | Grupo Chango | E Minor | 6 | 9A | 165 BPM | ||
| Treceañera | Ricardo Boscan | F Major | 4 | 7B | 177 BPM | ||
| Descubreme | Carlitos Rey | A♭ Major | 6 | 4B | 85 BPM | ||
| Quereres | Tamba Fuego | A Minor | 7 | 8A | 168 BPM | ||
| MAREA ALTA | Amareto | B♭ Major | 6 | 6B | 173 BPM | ||
| Puede Ser | Alma Del Barrio | B♭ Minor | 8 | 3A | 91 BPM | ||
| Zonas Prohibidas | Sonora Ponceña | F Major | 6 | 7B | 173 BPM | ||
| Me Quema, Me Quema | Rogelio Cruz | G Minor | 7 | 6A | 170 BPM | ||
| Al Diablo Con Todo | Miguel Martin | C Minor | 5 | 5A | 90 BPM |