Defences's 'Let You In' had a release date set for March 31, 2014. Let You In is explicit and may not be suitable for children. With the duration being about 3:57, this song is close to the average duration of a typical track. There are a total of 5 in the song's album "Stitches In Sanity". In this album, this song's track order is #1. In terms of popularity, Let You In is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Let You In by Defences having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Solace | Burden of the Sky | D♭ Major | 10 | 3B | 106 BPM | ||
| From the Start | Falling With Glory | D Minor | 10 | 7A | 137 BPM | ||
| IN THE DARK | The Five Hundred | E Minor | 8 | 9A | 107 BPM | ||
| The Almost | Defences | B Minor | 9 | 10A | 157 BPM | ||
| Cold Light | Jay Ray, Jimmie Strimell | D Major | 10 | 10B | 103 BPM | ||
| A Place Called Home | Tempting Fate | G Major | 10 | 9B | 145 BPM | ||
| Raising the Bar | Envoi | F♯ Minor | 9 | 11A | 87 BPM | ||
| Champagne Rainbow | Bruce Garcia | G Major | 7 | 9B | 100 BPM | ||
| What Can You Say | The Sight of Impact | D♭ Major | 10 | 3B | 130 BPM | ||
| Vertigo | Bridge to Grace | B Minor | 9 | 10A | 87 BPM | ||
| Split | Seconds Away | C Major | 9 | 8B | 156 BPM | ||
| Stand Alone | Wearing Scars | D♭ Major | 9 | 3B | 195 BPM | ||
| Kingdom Come | Cold Driven | C Minor | 10 | 5A | 178 BPM | ||
| Torn | The Fallen State | F Minor | 9 | 4A | 102 BPM | ||
| Uncomfortably Numb | Everrest | E Minor | 10 | 9A | 155 BPM | ||
| The Nightmare | Beyond Unbroken | E Minor | 10 | 9A | 100 BPM | ||
| Worlds Apart | I the Fire | D Minor | 9 | 7A | 106 BPM | ||
| Monster | Take The Name | F Minor | 9 | 4A | 140 BPM | ||
| I Was Alive | Dark Signal | D Major | 10 | 10B | 130 BPM | ||
| Hollow | The Last Element | F Major | 9 | 7B | 146 BPM | ||
| Overdose | Beyond Unbroken | C Minor | 10 | 5A | 95 BPM | ||
| Division Symbols | Hands Like Houses | B Minor | 10 | 10A | 162 BPM | ||
| Object in Motion | TrineATX | G Minor | 9 | 6A | 118 BPM | ||
| Fooled by a Dream | ALESTI, Andy Cizek | E Minor | 10 | 9A | 94 BPM | ||
| The Only One | Breakaway | B Minor | 10 | 10A | 160 BPM |