Red London's 'Complete Control' had a release date set for November 18, 1999. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Complete Control's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Red London's "Last Orders Please" album is number 18 out of 20. On top of that, Germany appears to be the country where this track was created. The popularity of Complete Control is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Complete Control by Red London to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yesterday's Heroes | 4 Skins | D Major | 8 | 10B | 170 BPM | ||
| Hold On | Bonecrusher | A Major | 10 | 11B | 165 BPM | ||
| Who Gives a Damn | Sham 69 | A Major | 9 | 11B | 82 BPM | ||
| Football Beer and Punk Rock | Knock Off | A Major | 9 | 11B | 99 BPM | ||
| Fighting On | Tear Up | A Major | 10 | 11B | 130 BPM | ||
| Fighting in the Street | Cockney Rejects | B Major | 10 | 1B | 98 BPM | ||
| Streets Where You Live | The Business | F Minor | 8 | 4A | 154 BPM | ||
| Two Years Too Late | Anti-Pasti | A♭ Major | 8 | 4B | 164 BPM | ||
| The Templars | The Templars | C Major | 9 | 8B | 91 BPM | ||
| This Is Me | Argy Bargy | A♭ Major | 10 | 4B | 97 BPM | ||
| Fuck You Anyway | The Beltones | A Major | 10 | 11B | 107 BPM | ||
| Banned From The Pubs | Peter and the Test Tube Babies | D♭ Minor | 10 | 12A | 169 BPM | ||
| Before the Flame Dies - Remastered | Cock Sparrer | D Major | 10 | 10B | 110 BPM | ||
| Two Million Voices | Angelic Upstarts | A Major | 8 | 11B | 112 BPM | ||
| Rich Boy | Crown Court | B Major | 6 | 1B | 188 BPM | ||
| Hell to Pay | Peter and the Test Tube Babies | E Minor | 9 | 9A | 175 BPM | ||
| Dirty Block | Combat 77 | E Major | 9 | 12B | 200 BPM | ||
| The Boots Go Marching In | Condemned 84 | C Major | 10 | 8B | 124 BPM | ||
| Join The Strike | Guttersnipe | A♭ Major | 9 | 4B | 138 BPM | ||
| Living with Unemployment. | Newtown Neurotics | D Major | 8 | 10B | 176 BPM | ||
| Marching Through the Streets | The Lancasters | G Major | 9 | 9B | 92 BPM | ||
| Common Ground | Gimp Fist | C Major | 10 | 8B | 104 BPM | ||
| Saturday Sunday | Red London | E Major | 8 | 12B | 189 BPM | ||
| Don't Say a Word | Cock Sparrer | A Minor | 6 | 8A | 184 BPM | ||
| In the city | MESS | G Major | 9 | 9B | 149 BPM |