"Cycle 5" by Matt Dunkley had its release date on March 11, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 6 in the song's album "Six Cycles". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Cycle 5 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cycle 5 by Matt Dunkley having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghostly hope | AI Creations | E Major | 3 | 12B | 78 BPM | ||
| Victoria Titles | Martin Phipps, Mediæval Bæbes | F♯ Minor | 2 | 11A | 77 BPM | ||
| Asegurando Sensaciones | Las Eternas | G Minor | 2 | 6A | 140 BPM | ||
| Ancient Lands | Ronan Hardiman | D♭ Minor | 6 | 12A | 123 BPM | ||
| Silent Solace | Universal Production Music, Matt Dunkley | A Major | 3 | 11B | 110 BPM | ||
| Rockwell's Diary 3 | Gareth Coker | B♭ Minor | 1 | 3A | 103 BPM | ||
| The Hanging | Matt Dunkley | F Minor | 6 | 4A | 66 BPM | ||
| Viniendo De Lejos | Las Guerreras | F♯ Minor | 3 | 11A | 169 BPM | ||
| Shift | Nereano | F Minor | 2 | 4A | 59 BPM | ||
| Summit | Dario Marianelli | D♭ Minor | 2 | 12A | 85 BPM | ||
| Humility and Love | Christopher Young | F Minor | 1 | 4A | 81 BPM | ||
| Gates of Tomorrow | Abel Korzeniowski | F♯ Major | 3 | 2B | 83 BPM | ||
| A Commuter's Trip | Roque Baños | G Minor | 3 | 6A | 141 BPM | ||
| ivory morning | eire music | E♭ Major | 1 | 5B | 132 BPM | ||
| Farewell, Hero | Tan Dun, Kodo, Ancient Rao Ensemble of Changsha Museum, Itzhak Perlman, China Philharmonic Chorus, China Philharmonic Orchestra | G Minor | 4 | 6A | 120 BPM | ||
| Crossing Over | Orchestra Nocturna | E Minor | 2 | 9A | 115 BPM | ||
| Unidas en La Victoria | Asklepios | A Minor | 4 | 8A | 90 BPM | ||
| Desafios | Las Eternas | D Major | 3 | 10B | 90 BPM | ||
| Bolero for Violin and Orchestra | Walter Taieb, Vanessa-Mae, Royal Philharmonic Orchestra | G Minor | 5 | 6A | 143 BPM | ||
| Brianna and Roger Theme | Bear McCreary | A Minor | 1 | 8A | 128 BPM | ||
| Gone with Leaves | Tan Dun, Itzhak Perlman, Kodo | B♭ Major | 4 | 6B | 88 BPM | ||
| Young Imma | Pasquale Catalano | B♭ Minor | 1 | 3A | 103 BPM | ||
| Becoming a Geisha | John Williams, Yo-Yo Ma, Itzhak Perlman | A Minor | 4 | 8A | 120 BPM | ||
| Road To Chicago | Thomas Newman | F♯ Minor | 1 | 11A | 97 BPM | ||
| Lepcis Magna | E.S. Posthumus | A♭ Major | 7 | 4B | 180 BPM |