Miki Imai's ' "カ・ケ・ヒ・キ・27" was released on its scheduled release date, November 10, 1993. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Miki Imai's "Ivory II" album is number 3 out of 15. In terms of popularity, カ・ケ・ヒ・キ・27 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of カ・ケ・ヒ・キ・27 by Miki Imai to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mugo N…Iroppoi | Shizuka Kudo | E♭ Minor | 8 | 2A | 140 BPM | ||
| ジュリアン | PRINCESS PRINCESS | C Major | 4 | 8B | 118 BPM | ||
| まちぶせ | Hitomi Ishikawa | A Minor | 5 | 8A | 114 BPM | ||
| ら・ら・ら (2019 Remastered) | Maki Ohguro | F Major | 9 | 7B | 121 BPM | ||
| 夜明けのブレス | The Checkers | C Major | 6 | 8B | 150 BPM | ||
| Return to Myself | Mari Hamada | F♯ Major | 9 | 2B | 168 BPM | ||
| 最後のKiss | Kiroro | E Major | 9 | 12B | 127 BPM | ||
| Hikari | Miki Imai | G Major | 4 | 9B | 120 BPM | ||
| もしもピアノが弾けたなら | Toshiyuki Nishida | D Major | 3 | 10B | 120 BPM | ||
| ロンリー・チャップリン | Kiyomi Suzuki, Rats & Star | A♭ Major | 8 | 4B | 113 BPM | ||
| My Serenade | Eri Hiramatsu | C Major | 8 | 8B | 100 BPM | ||
| もう一度夜を止めて | Kenjiro Sakiya | E Major | 5 | 12B | 134 BPM | ||
| たしかなこと | Yo Hitoto | A♭ Minor | 3 | 1A | 77 BPM | ||
| 唇よ、熱く君を語れ | Machiko Watanabe | C Major | 6 | 8B | 132 BPM | ||
| Tea For Two | Miki Imai | G Major | 1 | 9B | 133 BPM | ||
| 風の詩を聴かせて [2022 Remaster] | Keisuke Kuwata | A Major | 5 | 11B | 103 BPM | ||
| ミス・ブランニュー・デイ(MISS BRAND-NEW DAY) | サザンオールスターズ | A Minor | 9 | 8A | 140 BPM | ||
| 渡良瀬橋 - 「ザ・シングルス」LIVE 2018 Day1 | Chisato Moritaka | C Major | 5 | 8B | 77 BPM | ||
| 翳りゆく部屋 | Yumi Arai | A Major | 6 | 11B | 131 BPM | ||
| 名前のない空を見上げて | MISIA | B Major | 5 | 1B | 134 BPM | ||
| I'm Here | Kahoru Kohiruimaki | B Major | 7 | 1B | 138 BPM | ||
| Squall (Original Version) | Masaharu Fukuyama | E Major | 3 | 12B | 70 BPM | ||
| be alive | Yuki Koyanagi | E♭ Major | 6 | 5B | 122 BPM | ||
| いのちの歌 | Midori Karashima | B♭ Major | 1 | 6B | 74 BPM | ||
| 糸 | Yo Hitoto | C Major | 4 | 8B | 72 BPM |