On April 2, 2024, the song "Jai Shree Note Hare" was released by Koshinder Rishipal. This song appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Paise Ki Mahima". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. Based on our statistics, Jai Shree Note Hare's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Jai Shree Note Hare by Koshinder Rishipal having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Palna Chhod de Bande | Tarun Baliyan | G Major | 10 | 9B | 140 BPM | ||
| Man Ho Rao Sasre Aabe Ko Lokgeet | Soniya Studio, Mohan Kushwaha Arvindra | G Major | 9 | 9B | 148 BPM | ||
| Jija Menea Ladea Bali | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | D Major | 5 | 10B | 142 BPM | ||
| Tane Hariya Gajab Ghana Dhaya | Koshinder Rishipal | B Major | 6 | 1B | 138 BPM | ||
| Dukhan Lagi Chhati Chul Gai Karyai ( Bundeli Song ) | Neeraj Disoriya, Bablu Rangila | C Major | 9 | 8B | 144 BPM | ||
| Kalali | Sadik Khan Mirasi | G Major | 8 | 9B | 188 BPM | ||
| Lei Ke Aaja Jani Sajna | Raj Barar, Kamaljit Neeru, Sabar Koti, Satwinder Bugga, Harbhajan Mann, Manpreet Akhtar | D♭ Major | 6 | 3B | 97 BPM | ||
| Ho Rao Machhariya Ko Biyao | Balveer Kushwaha, Bhavna Bharti | A♭ Major | 8 | 4B | 140 BPM | ||
| Raj Path Diya Chor Bhartari Part 03 | Koshinder Rishipal | G Major | 4 | 9B | 124 BPM | ||
| Manne Ho Gaya Tere Se Pyar | Tarun Baliyan | G Major | 9 | 9B | 80 BPM | ||
| Kaali Maa | Surinder Pal | A Major | 9 | 11B | 99 BPM | ||
| Mat Na Nangi Karo Sabha Mein | Koshinder Khadana | D♭ Major | 4 | 3B | 126 BPM | ||
| Aaya Hu Tera Dwar | Mohit Chauhan | F Minor | 8 | 4A | 80 BPM | ||
| O Samdhi Meri Baat Part 3 | Koshinder Rishipal | D♭ Major | 4 | 3B | 126 BPM | ||
| Tu jinna marji dukh de le | Rajphool Kuchrania | F Minor | 7 | 4A | 136 BPM | ||
| Shyam Saloni Surat Ke Deewane | Rahul Savera | B♭ Minor | 9 | 3A | 140 BPM | ||
| Dhora Wali Dharti Kali Nagan | Sitaram Panchariya | E Major | 8 | 12B | 88 BPM | ||
| Mandir Ban Gaya Ram Ka Banega Mandir Shyam Ka | Ved Vyas, Ravi Gahlot Clicks | A Major | 9 | 11B | 95 BPM | ||
| Thori Pi Lai Te Ki Hoya | Shafaullah Khan Rokhri | B♭ Minor | 10 | 3A | 99 BPM | ||
| Sab Ne Dilajyo Thar Savara Forctuner Dilajyo Mane | Puran Gurjar | E Major | 10 | 12B | 109 BPM | ||
| सन्त भजनानंद जी गुरुवाणी सत्संग भजन | Sant Bhajana Nand | A♭ Minor | 7 | 1A | 101 BPM | ||
| Bhum Hum Jaani Survihim | Brijesh Kumar Shastri | B♭ Major | 8 | 6B | 135 BPM | ||
| Yaad Na Aa | Qamar Shahpuria | F Major | 6 | 7B | 72 BPM | ||
| Tola Aise Rangahu Turi Fagun Ma | Nilkamal Vaishnav | F Minor | 9 | 4A | 120 BPM | ||
| Main Soni Maahiwaal Di | Rangle Sardar | B Minor | 9 | 10A | 63 BPM |