Devaki Pandit's ' "Matichya Golyala" was released on its scheduled release date, January 2, 2008. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 8 in Dayaghana Panduranga by Devaki Pandit, Omkar Dadarkar. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Matichya Golyala is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Matichya Golyala by Devaki Pandit is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nir Bharan Ka Karke Bahana | K. J. Yesudas, Hemlata, Ravindra Jain | B Major | 5 | 1B | 92 BPM | ||
| Main Wohi Darpan Wohi | Aarti Mukherji | A Major | 6 | 11B | 138 BPM | ||
| Ishq Hua Kaise Hua | Udit Narayan, Vibha Sharma | F♯ Minor | 7 | 11A | 79 BPM | ||
| Gaarva - Version 1 | Milind Ingle | A Minor | 4 | 8A | 141 BPM | ||
| Nako Karu Sakhi Aasa | Salil Kulkarni | F Major | 6 | 7B | 73 BPM | ||
| Gaarva - Version 2 | Milind Ingle | A♭ Minor | 3 | 1A | 135 BPM | ||
| Sankashta Nashak Ganesh Stotram | Devaki Pandit | D♭ Major | 2 | 3B | 120 BPM | ||
| Preeticha Zul Zul Paani | Usha Mangeshkar, Shailendra Singh | F♯ Major | 3 | 2B | 144 BPM | ||
| Chandra Bhagechya Tiri | Prahlad Shinde | C Minor | 6 | 5A | 147 BPM | ||
| Atrimunichya Sadni Gheti | Ajit Kadkade, Devaki Pandit | B♭ Major | 5 | 6B | 110 BPM | ||
| Mere Samnewali Khidki Mein | Shaan | D Major | 8 | 10B | 137 BPM | ||
| Jate Huye Ye Pal Chhin Kyon | Ravindra Jain | B Minor | 6 | 10A | 93 BPM | ||
| Har Taraf Hai Ye Shor | Vinod Rathod, Atul Kale | G Major | 9 | 9B | 132 BPM | ||
| Jivant Aahe | Swapnil Bandodkar | E♭ Major | 2 | 5B | 97 BPM | ||
| Shabdavachun Kalale Sare | Mahesh Kale | D Minor | 2 | 7A | 147 BPM | ||
| Savale Sundar Roop Manohar | Bhimsen Joshi | D Minor | 4 | 7A | 84 BPM | ||
| Jay Ganesh Deva | Devaki Pandit | A Major | 6 | 11B | 129 BPM | ||
| O Hum Safar Dil Ke Nagar - Female Version | Jatin-Lalit | E Major | 6 | 12B | 79 BPM | ||
| Chal Ga Sakhe Pandharila | Prahlad Shinde | F♯ Major | 10 | 2B | 90 BPM | ||
| Out In The Open | Pt. Hariprasad Chaursia, Tata Güines, Devaki Pandit | E Minor | 3 | 9A | 171 BPM | ||
| Avgha To Shakun | Kishori Amonkar | A♭ Major | 6 | 4B | 99 BPM | ||
| Zhalo Tuzhyavar Phida | Mahendra Kapoor, Usha Mangeshkar | B♭ Major | 2 | 6B | 109 BPM | ||
| Hum Bewafa Hargiz Na Thay - From "Shalimar" | Kishore Kumar | A♭ Minor | 5 | 1A | 134 BPM | ||
| Kaal Rateela Sapan Padlan | Jaywant Kulkarni, Usha Mangeshkar | G Major | 9 | 9B | 125 BPM | ||
| Tya Phulanchya Gandh | Hridaynath Mangeshkar | E Major | 1 | 12B | 67 BPM |