Chant du Ménestrel, Op. 71 by Alexander Glazunov, Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa Song Details

"Chant du Ménestrel, Op. 71" by Alexander Glazunov, Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa had its release date on January 1, 1961. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Shostakovich: Cello Concerto No. 2. Tchaikovsky: Rococo Variations; Andante cantabile. Glazunov: Chant du Ménestrel". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. Chant du Ménestrel, Op. 71 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Chant du Ménestrel, Op. 71 by Alexander Glazunov, Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 32%
Loudness: -29.353 dB
Acousticness: 98%
Danceability: 12%
Energy: 4%
Instrumentalness: 86%
Liveness: 9%
Loudness: 51%
Speechiness: 4%
Valence: 7%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato –	Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe	E♭ Major	1	5B	101 BPM
Scheherazade, Op. 35: I. The Sea and Sinbad's Ship	Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa	C Major	1	8B	74 BPM
Harmonies des bois, Op. 76: No. 2 Les larmes de Jacqueline (Version for Cello & Orchestra)	Jacques Offenbach, Harriet Krijgh, Gustavo Gimeno, Deutsche Staatsphilharmonie Rheinland-Pfalz	C Major	0	8B	70 BPM
Violin Sonata, CFF 123: IV. Allegretto poco mosso	César Franck, Augustin Dumay, Maria João Pires	A Major	2	11B	73 BPM
Chanson russe	Igor Stravinsky, Pierre Fournier, Ernest Lush	F Minor	0	4A	130 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor	Johannes Brahms, Seattle Symphony Orchestra, Gerard Schwarz	A Minor	0	8A	104 BPM
5 Stücke im Volkston, Op. 102: 1. Vanitas vanitatum (Mit Humor)	Robert Schumann, Mstislav Rostropovich, Benjamin Britten	B Minor	1	10A	86 BPM
Concerto for Violin and Orchestra no.2 in D minor op.22: 2. Romance. Andante non troppo	Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster	B♭ Major	1	6B	90 BPM
Woman's Prayer	G. I. Gurdjieff, Anja Lechner, Vassilis Tsabropoulos	F Minor	0	4A	83 BPM
Thaïs / Acte Deux: Meditation	Jules Massenet, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan	B♭ Major	3	6B	99 BPM
Sicilienne (Arr. by Söllscher)	Maria Theresia von Paradis, Jian Wang, Göran Söllscher	F Major	0	7B	112 BPM
Scherzo-Tarantelle, Op. 16	Henryk Wieniawski, Kyung Wha Chung, Phillip Moll	D Major	2	10B	107 BPM
Pelléas et Mélisande, Op. 80, Suite: IV. La mort de Mélisande	Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa	D Minor	0	7A	82 BPM
Méditation de Thaïs	Jules Massenet, Peter Mirring, Dresden State Opera Chorus, Members, Staatskapelle Dresden, Silvio Varviso	E Minor	0	9A	96 BPM
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto	Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit	F Major	0	7B	74 BPM
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio	Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa	F Major	2	7B	98 BPM
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico)	Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly	G Major	2	9B	93 BPM
Cello Concerto In B Flat: 2. Andante grazioso	Luigi Boccherini, Jian Wang, Camerata Salzburg	B♭ Major	1	6B	137 BPM
Pavane pour une infante défunte, M. 19a	Maurice Ravel, Charles Kavaloski, Boston Symphony Orchestra, Seiji Ozawa	G Major	0	9B	88 BPM
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo -	Mstislav Rostropovich	C Major	1	8B	85 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	F Major	1	7B	124 BPM
Mahler Adagietto Variation (From Symphony No. 5 in C-Sharp Minor, Arr. for Violin and Piano by Jan-Peter Klöpfel)	Gustav Mahler, Gabriele Bagnati, Esther Abrami	F Major	2	7B	82 BPM
Piano Concerto No. 2 in A Major, S. 125: 2. Allegro moderato - Allegro deciso	Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa	A♭ Major	1	4B	78 BPM
Peer Gynt Suite No.2 op. 55 Abduction and Ingrid's Lament Allegro furioso-Andante doloroso)	Academy of St. Martin in the Fields	G Minor	0	6A	133 BPM
2 Pieces, Op. 12: No. 1, Petite ballade	Anton Arensky, Dmitrii Khrychev, Olga Solovieva	G Major	1	9B	90 BPM