The Damn Quails's 'California Open Invitation' had a release date set for August 16, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 14 in Down the Hatch by The Damn Quails. In terms of popularity, California Open Invitation is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of California Open Invitation by The Damn Quails is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Go on Home | Chris Knight | A♭ Major | 4 | 4B | 73 BPM | ||
| Another Story | The Damn Quails | G Major | 9 | 9B | 116 BPM | ||
| Lonesome | Cory Morrow | E Minor | 8 | 9A | 130 BPM | ||
| Leave | Cole Chaney | G Major | 4 | 9B | 80 BPM | ||
| Play Something We Know | Adam Hood | G Major | 3 | 9B | 125 BPM | ||
| Black Crow | Parker Ryan | D♭ Major | 4 | 3B | 86 BPM | ||
| Eveline | Gabe Lee | E Major | 3 | 12B | 89 BPM | ||
| Good Night for Dancing (feat. Charla Corn) | Josh Abbott Band, Charla Corn | D Major | 4 | 10B | 144 BPM | ||
| Why I Left Atlanta | Jason Eady | G Major | 4 | 9B | 136 BPM | ||
| Long Way to Get | Max Stalling | A Major | 6 | 11B | 105 BPM | ||
| Judgement Day | Lost Immigrants | E Major | 7 | 12B | 142 BPM | ||
| Give It Some Time | The Damn Quails | D Major | 8 | 10B | 114 BPM | ||
| None'ya | Hayes Carll | D Major | 5 | 10B | 82 BPM | ||
| Lucky I Guess | Jason Boland & The Stragglers | E Major | 5 | 12B | 120 BPM | ||
| Die Midwestern | Arlo McKinley | A Major | 7 | 11B | 109 BPM | ||
| The Punxsutawney Rambler | The Damn Quails | C Major | 2 | 8B | 131 BPM | ||
| Meet You in the Middle | Parker McCollum | C Major | 6 | 8B | 110 BPM | ||
| Red Dirt | Johnny Cooper | F Major | 5 | 7B | 140 BPM | ||
| February Snow | Flatland Cavalry | A Major | 6 | 11B | 164 BPM | ||
| North Georgia Rounder | Pony Bradshaw | E Minor | 1 | 9A | 112 BPM | ||
| Never Found You | The Wilder Blue | E Minor | 8 | 9A | 151 BPM | ||
| Bad Bad Things | Jacob Stelly | F Major | 5 | 7B | 147 BPM | ||
| Fever Dream | Cole Chaney | A♭ Major | 2 | 4B | 136 BPM | ||
| Comal County Blue | Jason Boland & The Stragglers | E Major | 5 | 12B | 134 BPM | ||
| Tulsa Time | Jason Boland & The Stragglers | E Major | 8 | 12B | 100 BPM |