Supreme Clientele's ' "BE There" was released on its scheduled release date, September 11, 2025. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Water Under The Bridge by Supreme Clientele. The song's track number on the album is #4 out of 10 tracks. Based on our statistics, BE There's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since BE There by Supreme Clientele has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With BE There being at 135 BPM, the half-time would be 68 BPM with a double-time of 270 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Worry, Worry | Johnny "Big Moose" Walker | F Major | 4 | 7B | 185 BPM | ||
| Summertime | Birdlegs & Pauline | F Major | 5 | 7B | 120 BPM | ||
| The Show | Supreme Clientele | B Minor | 1 | 10A | 120 BPM | ||
| I Believe I'll Go Back Home | The Ovations | B♭ Major | 5 | 6B | 109 BPM | ||
| Meet Me | Jimmy Reed | E Major | 4 | 12B | 78 BPM | ||
| Miss Ida B. | Roosevelt Sykes | B Minor | 4 | 10A | 82 BPM | ||
| Fear | Supreme Clientele | A Major | 8 | 11B | 111 BPM | ||
| One More Night | Lonesome Sundown | A Major | 3 | 11B | 179 BPM | ||
| You Always Hurt The One You Love | Clarence "Frogman" Henry | B♭ Major | 4 | 6B | 111 BPM | ||
| Baby, No, No! | Big Memphis Ma Rainey | G Major | 4 | 9B | 110 BPM | ||
| Heartaches And Pains | Carey Bell | D Major | 3 | 10B | 155 BPM | ||
| Should I Ever Love Again? | Wynona Carr | E Major | 4 | 12B | 107 BPM | ||
| Deep Deep Water | Clarence "Gatemouth" Brown | C Major | 1 | 8B | 96 BPM | ||
| Hand | Augustine Robinson | E Major | 4 | 12B | 107 BPM | ||
| The Rush | Supreme Clientele, Snatchfloww | A♭ Major | 5 | 4B | 168 BPM | ||
| FE!N - 1950s Travis Scott | The Speakeasy Rappers | A Major | 4 | 11B | 172 BPM | ||
| Walking The Back Streets | Koko Taylor | D Major | 6 | 10B | 140 BPM | ||
| Lovin' Time | Bertha Tillman | D Major | 9 | 10B | 146 BPM | ||
| One Eyed Woman | Lefty Dizz | G Major | 5 | 9B | 101 BPM | ||
| Alone | Kayo Lumar | E Major | 4 | 12B | 107 BPM | ||
| Evening | T-Bone Walker | F♯ Major | 3 | 2B | 69 BPM | ||
| Sittin' And Cryin' The Blues | Willie Dixon, Memphis Slim | B♭ Minor | 0 | 3A | 134 BPM | ||
| So - Live in Japan, 1974 | War | F Major | 3 | 7B | 115 BPM | ||
| Passing | Supreme Clientele | A Major | 6 | 11B | 120 BPM | ||
| Down in Lamar | Floyd Lee & His Mean Blues Band | B♭ Major | 5 | 6B | 121 BPM |