Kanu Bhattacharya, Lata Mangeshkar's ' "Aamaro To Sadh Chilo" was released on its scheduled release date, April 1, 1987. This song is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The song is number 4 out of 7 in Dolan Chanpa (Original Motion Picture Soundtrack) by Kanu Bhattacharya. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Aamaro To Sadh Chilo is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Aamaro To Sadh Chilo by Kanu Bhattacharya, Lata Mangeshkar is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jadi Akash Hoto Ankhi | Aarti Mukherji | A Minor | 3 | 8A | 138 BPM | ||
| Woh Door Jo Nadiya Behti Hai | Mohammed Rafi, Lata Mangeshkar | G Major | 6 | 9B | 117 BPM | ||
| Tumi Chale Gele | Hemant Kumar | E Major | 2 | 12B | 176 BPM | ||
| Ki Diya Mon Karila - Original Motion Picture Soundtrack | Andrew Kishore, Sabina Yasmin | C Major | 4 | 8B | 99 BPM | ||
| Chala Bhi Aa Aaja Rasiya | Mohammed Rafi, Lata Mangeshkar, Laxmikant–Pyarelal | B Major | 2 | 1B | 87 BPM | ||
| Amaspandito Ghano Ratri | Pannalal Bhattacharya | A♭ Major | 4 | 4B | 103 BPM | ||
| Ami To Tomar Chirodiner Hnasi Kannar Sathi | Nirmala Mishra | E Minor | 5 | 9A | 152 BPM | ||
| Ei Je Duniyate Koto Manush | Milton Khondokar, Ahmed Imtiaz Bulbul | F Major | 6 | 7B | 90 BPM | ||
| Tumi Pathar Chokheo Je Dristi | Lata Mangeshkar, Hridaynath Mangeshkar | B♭ Major | 2 | 6B | 87 BPM | ||
| O Tui Mon Kandali | Purnima Mandi | E Minor | 9 | 9A | 128 BPM | ||
| Thakto Jodi Premer Adalot | Kanak Chapa | F Minor | 6 | 4A | 167 BPM | ||
| Congrechulation | Shakila Zafar | B♭ Minor | 7 | 3A | 115 BPM | ||
| Khorang Khwlaikhe | Biswanath Debbarma, Manadebi Jamatia | B Minor | 4 | 10A | 72 BPM | ||
| Bondhu Amar Paner Dokandar | Momtaz | F Major | 9 | 7B | 85 BPM | ||
| Tummae kiye poore armaan hamaare | Brahma Kumaris | A Minor | 7 | 8A | 137 BPM | ||
| Shudhu Jaoya Aasa Shudhu Srote Bhasa - Kabir Suman | Kabir Suman | C Major | 3 | 8B | 78 BPM | ||
| Ja Khushi Ora Bale Boluk | Manna Dey | E Major | 3 | 12B | 103 BPM | ||
| Sesh Pata Jhore Gelo | Srikanta Acharya | E Major | 6 | 12B | 111 BPM | ||
| Ektu Gelei Athoi Sagar | Bhupen Hazarika | E♭ Major | 5 | 5B | 51 BPM | ||
| Besh Korechi Ami Preme Porechi | Abhijeet, Purnima | F♯ Minor | 9 | 11A | 103 BPM | ||
| Ami Tomay Vulini | Khalid Hasan Milu | C Minor | 6 | 5A | 173 BPM | ||
| Dafli Wale Dafli Baja - Jhankar Beats | Hero And King Of Jhankar Studio, Lata Mangeshkar, Mohammed Rafi | B Minor | 6 | 10A | 117 BPM | ||
| Akash Paare Taray Taray - Nirmala Misra | Nirmala Mishra, Anal Chatterjee | F Major | 4 | 7B | 112 BPM | ||
| Mor Bhabonare Ki Haway Matalo | Hemanta Mukhopadhyay | F♯ Major | 5 | 2B | 91 BPM | ||
| Sei Chhotto Amar Gram | Indranil Sen | E Minor | 2 | 9A | 119 BPM |