"帰れソレントへ〜マリウ愛の言葉を〜オー・ソレ・ミオ" by 斎藤雅広 had its release date on August 18, 2001. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in ピアノ・アラウンド・ザ・ワールド, so we believe that "帰れソレントへ〜マリウ愛の言葉を〜オー・ソレ・ミオ" is a single. 帰れソレントへ〜マリウ愛の言葉を〜オー・ソレ・ミオ is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 帰れソレントへ〜マリウ愛の言葉を〜オー・ソレ・ミオ by 斎藤雅広 is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ピアノ・ソナタ 第8番 ハ短調 作品13 《悲愴》: 第1楽章: Grave - Allegro di molto e con brio | Ludwig van Beethoven, Nobuyuki Tsujii | C Minor | 1 | 5A | 76 BPM | ||
| Humoresque, Op. 101 | Hans Kalafusz, Klaus von Wildemann | G Major | 1 | 9B | 65 BPM | ||
| ヴァイオリン協奏曲 ヘ短調<冬>作品8の4 第1楽章 Allegro non molto | Antonio Vivaldi, Tamaki Kawakubo, Kioi Sinfonietta Tokyo | A Minor | 3 | 8A | 109 BPM | ||
| 金曜ロードショー テーマ曲 Cinema Nostargia ORIGINAL COVER | NIYARI計画 | A♭ Major | 3 | 4B | 73 BPM | ||
| ノクターン〜「ショパンへの3つのオマージュ」より(清塚信也) | Shinya Kiyozuka | E Major | 1 | 12B | 162 BPM | ||
| Midnight Swan | Keiichiro Shibuya | E Major | 6 | 12B | 117 BPM | ||
| 死の舞踏 | Camille Saint-Saëns, ジャン=ジャック・カントロフ, Jacques Rouvier | E♭ Major | 3 | 5B | 118 BPM | ||
| ハンガリー舞曲 第5番 ト短調 | Johannes Brahms, Otmar Suitner, Staatskapelle Berlin | D Major | 2 | 10B | 132 BPM | ||
| I am - 報道ステーション テーマ曲 | Manami Morita | B♭ Major | 6 | 6B | 107 BPM | ||
| Nocturne III - Once in a Blue Moon | Hayato Sumino | F Major | 0 | 7B | 60 BPM | ||
| 協奏曲集「四季」作品8 第 4番 ヘ短調, RV297 冬: 1. Allegro non molto | Antonio Vivaldi, Tsugio Tokunaga, NHK室内合奏団 | G Minor | 2 | 6A | 77 BPM | ||
| ノクターン 第2番 | ヒビキpiano | B♭ Major | 2 | 6B | 68 BPM | ||
| 序曲とロンド・カプリチオーソ | Camille Saint-Saëns, 井上道義, 新日本フィルハーモニー交響楽団, ジャン=ジャック・カントロフ | A Major | 1 | 11B | 95 BPM | ||
| ジュ・トゥ・ヴ(サティ) | Erik Satie, Shinya Kiyozuka | C Major | 0 | 8B | 70 BPM | ||
| ガヴォット | Francois-Joseph Gossec, Jean-Pierre Rampal, 井上二葉 | D Major | 1 | 10B | 138 BPM | ||
| ペールギュント 作品46-1 『朝』 - ピアノ編曲版 | NAIX | D♭ Major | 1 | 3B | 110 BPM | ||
| 華麗なる大円舞曲 | Frédéric Chopin, Bruno Rigutto | A♭ Major | 2 | 4B | 81 BPM | ||
| 人生のメリーゴーランド | 角野隼斗 | D Minor | 3 | 7A | 185 BPM | ||
| ワルツ『裏通りの喫茶店』 | NAIX | C Minor | 3 | 5A | 192 BPM | ||
| 2 Arabesques, L. 66: No. 1 in E Major. Andantino con moto | Claude Debussy, Balazs Szokolay | F♯ Minor | 0 | 11A | 68 BPM | ||
| 展覧会の絵: プロムナード I | Modest Mussorgsky, Nobuyuki Tsujii | F Major | 3 | 7B | 92 BPM | ||
| Thais, Act II: Meditation (arr. M.P. Marsick) | Martin Pierre Marsick, Jules Massenet, Takako Nishizaki, Jenő Jandó | D Major | 1 | 10B | 84 BPM | ||
| Elgar: 愛の挨拶 作品12 | Edward Elgar, Tomoharu Ushida | E Major | 1 | 12B | 72 BPM | ||
| 白い巨塔 | Takashi Kako | A Minor | 3 | 8A | 95 BPM | ||
| Breakfast For Every | Teres | C Minor | 0 | 5A | 75 BPM |