Harinaam Das's ' "Shri Radharaman Humare Meet" was released on its scheduled release date, May 13, 2025. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Shri Radharaman Humare Meet only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Shri Radharaman Humare Meet's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Shri Radharaman Humare Meet by Harinaam Das having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Guruji Aaye Saade Vede | Shelly Khatri Taluja | E♭ Minor | 5 | 2A | 153 BPM | ||
| Tum Na Sunoge to Kaun Sunega | Shelly Khatri Taluja | F♯ Major | 2 | 2B | 140 BPM | ||
| Meri Vinti Yahi Hai Radharani | Chitra Vichitra Ji Maharaj | C Minor | 6 | 5A | 97 BPM | ||
| Radhika Raman Ambuj Nayan | Harinaam Das | C Major | 6 | 8B | 144 BPM | ||
| Ram Naam Ke Heerey Moti Main Bikhraun Gali Gali | Shridhay Shri Mridul krishna shastri ji maharaj | G Minor | 6 | 6A | 143 BPM | ||
| Pata Nahi Kis Roop Main Aakar | Pujya Prembhushanji Maharaj | D Minor | 6 | 7A | 125 BPM | ||
| Hare Krishna Govind Mohan Murari | Pujya Rajan Ji Official | E♭ Major | 6 | 5B | 122 BPM | ||
| Narasimha Aarti | Swarup Damodar Prabhu | D♭ Major | 6 | 3B | 107 BPM | ||
| Meri Jholi | Unix Bhakti, Nitin Bagwan | A♭ Major | 6 | 4B | 80 BPM | ||
| Mero Radha Ramana | Bhakti Marga Music, Aaradhakananda | E♭ Minor | 7 | 2A | 131 BPM | ||
| Oh Kanha Ab Toh Murli Ki Madhur Suna Do Taan | Chetna | D Minor | 6 | 7A | 149 BPM | ||
| Banke Bihari Karun Teri Aarti x Sanso Ki Mala Pe | Dhruv Sharma, Swarna Shri | D♭ Minor | 5 | 12A | 130 BPM | ||
| Jo Prem Gali Me Aaye Nahi | Pujya Rajan Ji Official | E♭ Major | 4 | 5B | 75 BPM | ||
| Jagannath Ashtakam | Harinaam Das | F Minor | 5 | 4A | 120 BPM | ||
| Gaiye Ganapati Jagvandan | Trisha Parui | G Major | 7 | 9B | 172 BPM | ||
| Daasi Hu Teri Shyama | Sadhvi Purnima Ji | D Major | 7 | 10B | 103 BPM | ||
| Mishri Se Mitho Naam | Devi Neha Saraswat | D Minor | 6 | 7A | 130 BPM | ||
| Nagari Ho Ayodhya Si | Sadho The Band | F Major | 7 | 7B | 92 BPM | ||
| Pakad Lo Hath Banwari | Rekha Rao | D♭ Minor | 6 | 12A | 170 BPM | ||
| Hare Krishna Mahamantra Raag Ahir Bhairav | Harinaam Das | G Major | 3 | 9B | 64 BPM | ||
| Marno Ho To Main Marun Shri Radhe Ke Dwar | Gaurav Krishna Goswami | A Major | 9 | 11B | 150 BPM | ||
| Lingashtakam | Divine Dharohar | D Major | 4 | 10B | 155 BPM | ||
| Sudhang Naache Naval Kishori | JSR Madhukar | B♭ Minor | 7 | 3A | 80 BPM | ||
| Mero Mann Lagyo Barsane Mein | Sanatana Sankirtan, Shyam Bihari Das, JayShree | B♭ Major | 5 | 6B | 180 BPM | ||
| Main To Aayi Vrindavan Dham | Gaurav Krishna Goswami | A Major | 9 | 11B | 150 BPM |