"ピアノ協奏曲 II- Adagio misterioso" by 矢代秋雄, 岩城宏之, 中村紘子, NHK交響楽団 had its release date on July 21, 1990. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 現代日本音楽の古典-11 松村禎三:オ―ケストラのための前奏曲、三善晃:オ―ケストラのための協奏曲、矢代秋雄:ピアノ協奏曲、チェロ協奏曲, so we believe that "ピアノ協奏曲 II- Adagio misterioso" is a single. Based on our statistics, ピアノ協奏曲 II- Adagio misterioso's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ピアノ協奏曲 II- Adagio misterioso by 矢代秋雄, 岩城宏之, 中村紘子, NHK交響楽団 is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Multi-Music Canada for Orchestra: VI. Celebrations - Live | Maya Badian, Gheorghe Mustea, National Symphony Orchestra of Teleradio-Moldova | D♭ Major | 2 | 3B | 90 BPM | ||
| Overture: Overture | Grażyna Bacewicz, BBC Symphony Orchestra, Sakari Oramo | B Major | 0 | 1B | 112 BPM | ||
| Dvorak Symphony No 8 Sht | Belize Ensemble | G Major | 0 | 9B | 61 BPM | ||
| Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | ||
| Gaspard de la nuit: I. Ondine (arr. M. Constant for orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | D♭ Major | 0 | 3B | 115 BPM | ||
| Suite pastorale: I. Idylle | Emmanuel Chabrier, Neeme Järvi, Orchestre de la Suisse Romande | C Major | 2 | 8B | 143 BPM | ||
| Pulcinella, K 034: IX. Finale | Igor Stravinsky, Orquestra De Cambra Teatre Lliure, Josep Pons | C Minor | 0 | 5A | 77 BPM | ||
| Pulcinella Suite: VIII. Minuetto—Finale - Live | Igor Stravinsky, New York Philharmonic, Kurt Masur | D Minor | 6 | 7A | 123 BPM | ||
| Bronze Horseman Suite: IIb. Parasha. Andantino | Reinhold Glière, Sir Edward Downes, BBC Philharmonic | G Minor | 0 | 6A | 86 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): IX. The Hut on Fowl's Legs "Baba-Yaga" | Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado | D♭ Major | 1 | 3B | 88 BPM | ||
| Danzas fantásticas, Op. 22: I. Exaltación | Joaquín Turina, Juanjo Mena, BBC Philharmonic | E Minor | 0 | 9A | 129 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 13, Dance of the Knights | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | D♭ Major | 1 | 3B | 88 BPM | ||
| 1. Arturo Márquez (1950) La Sinfonía Imposible: Las Peras del Olmo (2022): 2. Resiliencia, para Corno Francés y Orquesta Felix Klieser, Corno Francés - En Vivo | Arturo Márquez, Alondra de la Parra, La Orquesta Imposible | E Minor | 6 | 9A | 157 BPM | ||
| Ein Heldenleben, Op. 40, TrV. 190: Des Helden Friedenswerke | Richard Strauss, Wiener Philharmoniker, Christian Thielemann, Rainer Honeck | D Major | 1 | 10B | 56 BPM | ||
| Tríptico | Gabriel Andrés Gallegos | G Major | 2 | 9B | 140 BPM | ||
| Turangalîla-Symphonie: VII. Turangalîla 2 | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| Variations for Orchestra, Op. 31: Introduktion | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | C Major | 1 | 8B | 133 BPM | ||
| Sunset Dream | Doran Leynar | D♭ Major | 2 | 3B | 80 BPM | ||
| Transfigured Night, Op. 4 (Version for String Orchestra): Pesante - Grave | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | E Major | 0 | 12B | 73 BPM | ||
| Schmitt: La tragédie de Salomé, Op. 50: II. Danse des perles | Florent Schmitt, Pierre Dervaux, Orchestre du Théâtre National de l'Opéra de Paris | F Minor | 2 | 4A | 122 BPM | ||
| Sinfonia antartica "Symphony No. 7": III. Landscape. Lento – | Ralph Vaughan Williams, BBC Symphony Orchestra, Martyn Brabbins | C Minor | 1 | 5A | 64 BPM | ||
| Spartacus, Act I: Etruscan dance (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | F Major | 1 | 7B | 87 BPM | ||
| Egmont, complete incidental music, Op. 84: viii. Klärchens Tod: Larghetto (The Death of Clärchen) | Beethoven, Maurice Abravanel, Walther Reyer, Utah Symphony Orchestra, Netania Davrath | E Minor | 2 | 9A | 82 BPM | ||
| The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Daniel Harding, Bavarian Radio Symphony Orchestra | C Minor | 2 | 5A | 89 BPM |