Sarah Vaughan's 'Mary Contrary' had a release date set for January 1, 1959. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Mary Contrary's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "The Magic Of Sarah Vaughan". In this album, this song's track order is #5. Mary Contrary is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mary Contrary by Sarah Vaughan having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I've Grown Accustomed To Your Face | Annie Ross, Gerry Mulligan Quartet | A♭ Major | 1 | 4B | 121 BPM | ||
| Them There Eyes | Carmen McRae | E Minor | 4 | 9A | 91 BPM | ||
| All The Way | Etta Jones | G Minor | 0 | 6A | 89 BPM | ||
| Stormy Weather | Billie Holiday | B♭ Major | 1 | 6B | 123 BPM | ||
| My One And Only Love | Lorez Alexandria | F Minor | 0 | 4A | 93 BPM | ||
| Tenderly | Sarah Vaughan | B♭ Major | 2 | 6B | 137 BPM | ||
| Nevertheless (I'm In Love With You) - 1958 version | The Mills Brothers | C Major | 1 | 8B | 79 BPM | ||
| Weren't We Fools | Jeri Southern | C Major | 1 | 8B | 91 BPM | ||
| I Love You Porgy (from Porgy and Bess) | Nina Simone | E Major | 1 | 12B | 118 BPM | ||
| You'll have to swing it | Chick Webb & His Orchestra, Chick Webb | B♭ Major | 3 | 6B | 119 BPM | ||
| My Foolish Heart | Bill Evans Trio | A Major | 1 | 11B | 115 BPM | ||
| You're Blasé | Sarah Vaughan, Oscar Peterson, Joe Pass, Louie Bellson, Ray Brown | C Major | 1 | 8B | 85 BPM | ||
| There Is No Greater Love | Betty Carter | F Major | 0 | 7B | 113 BPM | ||
| Honeysuckle Rose | Sarah Vaughan | C Minor | 4 | 5A | 102 BPM | ||
| I Love You | Anita O'Day | B Minor | 5 | 10A | 81 BPM | ||
| Body And Soul | Billie Holiday | A♭ Major | 1 | 4B | 179 BPM | ||
| The Touch Of Your Lips | Dorothy Dandridge | G Major | 2 | 9B | 109 BPM | ||
| 'Round Midnight | Thelonious Monk | A♭ Major | 3 | 4B | 117 BPM | ||
| Teach Me Tonight | Sarah Vaughan, Oscar Peterson, Joe Pass, Louie Bellson, Ray Brown | A♭ Major | 3 | 4B | 112 BPM | ||
| Honeysuckle Rose | Jane Monheit | A♭ Major | 4 | 4B | 172 BPM | ||
| You Don't Know What Love Is | John Coltrane Quartet | F Minor | 2 | 4A | 65 BPM | ||
| It's Only A Paper Moon | Morgana King | E♭ Major | 2 | 5B | 103 BPM | ||
| You Couldn't Be Cuter | Margaret Whiting | D♭ Major | 2 | 3B | 80 BPM | ||
| Blame It On My Youth | Kurt Elling | E♭ Major | 1 | 5B | 169 BPM | ||
| All About Ronnie | Chris Connor | B♭ Major | 2 | 6B | 140 BPM |