"Betrayal/ Forgiveness" by Apocalyptica had its release date on 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 23 in Amplified - A Decade Of Reinventing The Cello by Apocalyptica. Based on our statistics, Betrayal/ Forgiveness's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Betrayal/ Forgiveness by Apocalyptica is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Shadow Of Venus | Apocalyptica | F Minor | 7 | 4A | 120 BPM | ||
| Benzin - Kerosinii Remix By Apocalyptica | Rammstein, Apocalyptica | G Major | 9 | 9B | 142 BPM | ||
| Cell-0 | Apocalyptica | D Minor | 7 | 7A | 130 BPM | ||
| Duda | Stravaganzza | C Major | 9 | 8B | 125 BPM | ||
| Sa bir | DIR EN GREY | A♭ Major | 3 | 4B | 180 BPM | ||
| Inch'allah | Samael | D Major | 9 | 10B | 142 BPM | ||
| I Know You Stanley Milgram! | Long Distance Calling | A Major | 7 | 11B | 140 BPM | ||
| Queen of the Damned | Richard Gibbs, Jonathan Davis | D Minor | 1 | 7A | 200 BPM | ||
| Chapter II: Upon Fallen Autumn Leaves | Haggard | B Minor | 8 | 10A | 179 BPM | ||
| Immaculate Crucifixion | Juno Reactor | F Minor | 8 | 4A | 135 BPM | ||
| To Embark | Apocalypse Orchestra | D Major | 3 | 10B | 72 BPM | ||
| 359° | Long Distance Calling | D Major | 8 | 10B | 145 BPM | ||
| A Secret Place | Long Distance Calling | G Major | 9 | 9B | 142 BPM | ||
| Twisted Mind | Avantasia | D Minor | 8 | 7A | 131 BPM | ||
| Take My Cry | Dark Lunacy | B♭ Minor | 10 | 3A | 140 BPM | ||
| Sky Burial | Avatar | E Minor | 2 | 9A | 136 BPM | ||
| Faraway | Apocalyptica | C Minor | 5 | 5A | 148 BPM | ||
| St. Anger | Apocalyptica | B Minor | 7 | 10A | 102 BPM | ||
| Harakiri | Serj Tankian | G Major | 9 | 9B | 110 BPM | ||
| And End so Cold | Dark Moor | E♭ Major | 8 | 5B | 135 BPM | ||
| Frozen Memory | Dark Lunacy | D Major | 9 | 10B | 105 BPM | ||
| When Trust Becomes Sound | The Gathering | G Minor | 9 | 6A | 124 BPM | ||
| Ideomotor | The Agonist | F Major | 10 | 7B | 105 BPM | ||
| Mandylion | The Gathering | C Minor | 4 | 5A | 158 BPM | ||
| Asturias | Dark Moor | E♭ Minor | 8 | 2A | 120 BPM |