"Jupiter Ascending: 4th Movement" by Michael Giacchino had its release date on February 3, 2015. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Michael Giacchino's "Jupiter Ascending (Original Motion Picture Soundtrack)" album is number 4 out of 23. On top of that, United States appears to be the country where this track was created. Jupiter Ascending: 4th Movement is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Jupiter Ascending: 4th Movement by Michael Giacchino to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Todo Tipo De Peligros | Othonis | E Minor | 1 | 9A | 135 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| Game Over | Steve Jablonsky | B♭ Major | 0 | 6B | 74 BPM | ||
| The Borgias Main Title | Trevor Morris | F Major | 0 | 7B | 74 BPM | ||
| Solomon Lane | Joe Kraemer | A Minor | 1 | 8A | 86 BPM | ||
| David | Marc Streitenfeld | E Minor | 1 | 9A | 160 BPM | ||
| A Future For The Krogan | Christopher Lennertz | B Minor | 4 | 10A | 96 BPM | ||
| Locomotives | Ruth Barrett | A♭ Minor | 4 | 1A | 94 BPM | ||
| To the River | John Debney | F Major | 3 | 7B | 138 BPM | ||
| A Planet | Marc Streitenfeld | B Minor | 2 | 10A | 166 BPM | ||
| Will's Confession | David Julyan | B Minor | 0 | 10A | 101 BPM | ||
| Decrypted | John Powell, David Buckley | D♭ Major | 3 | 3B | 106 BPM | ||
| Fencing | Mark Isham | D Minor | 1 | 7A | 63 BPM | ||
| Possession | Nicholas Hooper | D♭ Major | 1 | 3B | 76 BPM | ||
| Nero Death Experience | Michael Giacchino | C Major | 3 | 8B | 80 BPM | ||
| An Army Against One Man | Anne Dudley, Skaila Kanga, The Chamber Orchestra Of London, London Chamber Orchestra | C Minor | 3 | 5A | 63 BPM | ||
| Lord M | Martin Phipps | E♭ Minor | 1 | 2A | 70 BPM | ||
| Level Plaguing Field | Michael Giacchino, Tim Simonec, Hollywood Studio Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
| The Killing Of Dumbledore | Nicholas Hooper | B♭ Minor | 1 | 3A | 66 BPM | ||
| Thinking Of Marie | John Powell | D♭ Minor | 0 | 12A | 99 BPM | ||
| I Think of You All the Time | Rachel Portman | D Minor | 0 | 7A | 174 BPM | ||
| Lucrezia And Paulo Kiss | Trevor Morris | F Major | 0 | 7B | 74 BPM | ||
| Atonement | Dario Marianelli, Jean-Yves Thibaudet, Benjamin Wallfisch, English Chamber Orchestra | A Major | 0 | 11B | 85 BPM | ||
| Suspects | Ólafur Arnalds | E♭ Minor | 3 | 2A | 145 BPM | ||
| Fuera De Ritmo | Casualidades Del Destino | E Minor | 3 | 9A | 178 BPM |