Richard Inman's 'The Consequence' had a release date set for October 29, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Richard Inman". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, The Consequence's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Consequence by Richard Inman having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Little Black Bug | Cyanide Bloom | B♭ Major | 3 | 6B | 137 BPM | ||
| Frostbite | Mckai | D Major | 4 | 10B | 73 BPM | ||
| Holding You Was Worth More | Richard Inman | C Major | 3 | 8B | 153 BPM | ||
| Borrowed Hearts | Bill Scorzari | D♭ Major | 4 | 3B | 76 BPM | ||
| Complicated Man | Cole Panther | B Major | 7 | 1B | 119 BPM | ||
| That Kind of Living | Surrender Hill | E Major | 8 | 12B | 144 BPM | ||
| The Good Old Days | Truthful Sessions, Jim sowers | D Major | 2 | 10B | 76 BPM | ||
| Lake Town Blues | Richard Inman | F♯ Major | 2 | 2B | 144 BPM | ||
| At It Again | Steve Poltz | B♭ Major | 3 | 6B | 137 BPM | ||
| You Can't Look At Me Like That - Alternate Version | Levi Foster | B♭ Major | 4 | 6B | 117 BPM | ||
| Driving in the Dark | Mariel Buckley | B Major | 5 | 1B | 120 BPM | ||
| Tall Tails | Gravedancer | D Major | 3 | 10B | 118 BPM | ||
| John Wayne | Sean Tobin | G Major | 7 | 9B | 124 BPM | ||
| You'd Already Won | Ian Cuthbertson | C Major | 4 | 8B | 173 BPM | ||
| The Nurse | Willy Tea Taylor, The Fellership, Anna Tivel | C Minor | 6 | 5A | 148 BPM | ||
| Cigarette Lunch | Bar Jay Bar | E♭ Major | 3 | 5B | 121 BPM | ||
| When the Lilacs Bloom | Joe Stamm | G Major | 4 | 9B | 173 BPM | ||
| From Now On | Grayson Jenkins | D Major | 3 | 10B | 93 BPM | ||
| Now Or Never | Jackson Pines | E Major | 3 | 12B | 146 BPM | ||
| THE ONES WHO GOT AWAY | Fader Magavin and the Risky Livers | G Major | 3 | 9B | 113 BPM | ||
| Water's Edge | Dead King Cotton | E Major | 4 | 12B | 99 BPM | ||
| Memories Collecting Dust | Brennan Edwards | E♭ Major | 6 | 5B | 80 BPM | ||
| Chicago in Fall | Charlie Shafter | B♭ Major | 3 | 6B | 137 BPM | ||
| Like All Dads Do | Erwin de Ruiter | G Major | 7 | 9B | 121 BPM | ||
| lay me to rest | Chris Wemp | B♭ Major | 3 | 6B | 137 BPM |