"Amar Sesh" by Debabrata Biswas had its release date on September 5, 2012. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 48 in the song's album "Tin Bhuban". In this album, this song's track order is #32. Furthermore, we believe that the track originated from India. Based on our statistics, Amar Sesh's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Amar Sesh by Debabrata Biswas having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Akash Paare Taray Taray - Nirmala Misra | Nirmala Mishra, Anal Chatterjee | F Major | 4 | 7B | 112 BPM | ||
| Udasini Beshe Bideshini Ke Se | Debabrata Biswas | B♭ Major | 4 | 6B | 90 BPM | ||
| Ekhoni Biday Bolo Na | Mohd. Rafi | F♯ Minor | 5 | 11A | 138 BPM | ||
| E Pathe Ami Je | Hemanta Mukhopadhyay | B Major | 3 | 1B | 145 BPM | ||
| Ore Grihobasi | Chandrabali Rudra Dutta | B♭ Major | 5 | 6B | 127 BPM | ||
| Amar Mon Kemon Kare | Chinmoy Chatterjee | E♭ Minor | 2 | 2A | 178 BPM | ||
| Ogo Moner Duyare Danriye Theko Na | Aarti Mukherji | E♭ Major | 2 | 5B | 113 BPM | ||
| E Bhabei Chole Jabe Jodi | Bappi Lahiri | F♯ Major | 7 | 2B | 119 BPM | ||
| Aj Dhaner Khete | Arnab Ghosh, Ankita Bhattacharjee | B♭ Major | 6 | 6B | 123 BPM | ||
| Behaya Banshi Dake Je | Lata Mangeshkar, Hridaynath Mangeshkar | G Major | 4 | 9B | 138 BPM | ||
| Bare Bare Ke Jeno Dake | Manabendra Mukherjee | C Major | 4 | 8B | 133 BPM | ||
| Jani Tomar Ajana Nahi Go | Shyamal Mitra | F♯ Minor | 2 | 11A | 145 BPM | ||
| Amader Chhuti Chhuti | Sandhya Mukherjee | A♭ Major | 7 | 4B | 128 BPM | ||
| Khelicho E Bishwa Loye | Ramanuj Dasgupta | B♭ Major | 4 | 6B | 116 BPM | ||
| Chokkher Najor Emni Koira | Syed Abdul Hadi | D♭ Minor | 4 | 12A | 153 BPM | ||
| Ma Mago Ma Ami Elem Tomar Kole | Manna Dey | F Major | 5 | 7B | 110 BPM | ||
| Na Bole Keno Chole Jai | Satinath Mukherjee | E♭ Major | 3 | 5B | 101 BPM | ||
| Kharer Protima Pujisre | Swaraj Roy | B♭ Major | 5 | 6B | 130 BPM | ||
| Tomaro Oshime | Rezwana Choudhury Bannya | B♭ Major | 3 | 6B | 123 BPM | ||
| Asharh Sraban Mane Na To Mon | Lata Mangeshkar | F♯ Major | 4 | 2B | 116 BPM | ||
| Bhalo Koira Bajan Go Dotara | Nirmalendu Chowdhury | C Major | 3 | 8B | 129 BPM | ||
| Sab Kichu Phele Jadi | Satinath Mukherjee | C Minor | 1 | 5A | 144 BPM | ||
| Jemon Sreeradha Kande | Shyamal Mitra | D♭ Major | 2 | 3B | 66 BPM | ||
| Lajja Mori Mori Eki Lajja | Aarti Mukherji | F Minor | 4 | 4A | 136 BPM | ||
| Ki Mishti Dekho Mishti | Sandhya Mukherjee | F♯ Minor | 3 | 11A | 107 BPM |