The Crew Cuts's ' "After I Say I'm Sorry" was released on its scheduled release date, December 17, 1953. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. After I Say I'm Sorry's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 51 in the song's album "Only Martha". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Based on our statistics, After I Say I'm Sorry's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With After I Say I'm Sorry by The Crew Cuts having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crazy 'Bout Ya Baby | The Crew Cuts | E Minor | 4 | 9A | 90 BPM | ||
| I Will Follow Her - Stereo | Bobby Rydell | D♭ Minor | 6 | 12A | 128 BPM | ||
| Crazy Blues | The Big Bopper | E Major | 7 | 12B | 131 BPM | ||
| Standing On the Corner | The Four Lads | G Major | 5 | 9B | 115 BPM | ||
| On The Sunny Side Of The Street | Benny Goodman | G Minor | 1 | 6A | 122 BPM | ||
| Can't You See | The Del-Vikings | F Major | 3 | 7B | 113 BPM | ||
| Goodnight, Sweetheart, Goodnight | The McGuire Sisters | F Major | 2 | 7B | 70 BPM | ||
| (Wait Til You See) My Gidget | Johnny Tillotson | A Minor | 5 | 8A | 142 BPM | ||
| When I Come Home | The Del-Vikings | A♭ Major | 3 | 4B | 70 BPM | ||
| Can't Get You Out Of My Mind | Hal David, John Cacavas | F Major | 3 | 7B | 118 BPM | ||
| Morse Code of Love | The Capris | D Minor | 8 | 7A | 126 BPM | ||
| Sh-Boom (Life Could Be a Dream) | The Crew Cuts | D Minor | 2 | 7A | 130 BPM | ||
| Down by the Riverside | The Four Lads | G Major | 5 | 9B | 91 BPM | ||
| The Church Bells May Ring | The Diamonds | B♭ Major | 8 | 6B | 136 BPM | ||
| (She's Got The) Blues For Sale | Billy Eckstine | B♭ Major | 2 | 6B | 135 BPM | ||
| After I Say I'm Sorry | Eddie Fisher | E♭ Major | 3 | 5B | 144 BPM | ||
| Pony Express | Danny & The Juniors | E♭ Major | 3 | 5B | 144 BPM | ||
| Linger Awhile | Vic Damone | A Major | 3 | 11B | 83 BPM | ||
| Wrapped Up in a Dream | The Clovers | B Major | 4 | 1B | 117 BPM | ||
| You Send Me | Teresa Brewer | C Major | 2 | 8B | 99 BPM | ||
| Shy Girl | The Cascades | D Major | 4 | 10B | 102 BPM | ||
| I Wanna Know | The Du Droppers | E♭ Major | 3 | 5B | 144 BPM | ||
| More Than Ever | Malcolm Vaughan | D♭ Minor | 3 | 12A | 72 BPM | ||
| Please Don't Be Mad | Bobby Rydell | E♭ Major | 3 | 5B | 144 BPM | ||
| One Summer Night | The Diamonds | A Major | 3 | 11B | 167 BPM |