Paul Taylor's 'Summer's End' had a release date set for January 1, 2007. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Paul Taylor's "Ladies' Choice (Bonus Track)" album is number 7 out of 12. Summer's End is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Summer's End by Paul Taylor to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Believe In You | 3rd Force | A Minor | 7 | 8A | 176 BPM | ||
| Una Mas | Jessy J | D Minor | 7 | 7A | 90 BPM | ||
| Daydreams (feat. Cindy Bradley) | Randy Scott, Cindy Bradley | C Minor | 6 | 5A | 80 BPM | ||
| Fingerprints | Larry Carlton | B♭ Minor | 8 | 3A | 112 BPM | ||
| Workin' | Jazz Holdouts | F Major | 7 | 7B | 100 BPM | ||
| In Your Eyes | Dan Siegel | A♭ Major | 5 | 4B | 96 BPM | ||
| Eric's Dream | Ken Navarro | F Minor | 3 | 4A | 156 BPM | ||
| Come Over | Paul Taylor | E Minor | 8 | 9A | 98 BPM | ||
| Last Look | Torcuato Mariano | C Major | 4 | 8B | 91 BPM | ||
| 4 On The Floor | Gerald Albright | D Minor | 6 | 7A | 202 BPM | ||
| All Jazzed Up (And Nowhere To Go) | Everette Harp | F Major | 6 | 7B | 176 BPM | ||
| B's Mood | Bobby Lyle | B♭ Minor | 5 | 3A | 83 BPM | ||
| Rejoyce | David Benoit | E Minor | 6 | 9A | 99 BPM | ||
| Tale of Two Cities | Darren Rahn | A Major | 7 | 11B | 92 BPM | ||
| Undun | Steve Cole | E♭ Minor | 4 | 2A | 116 BPM | ||
| Easy Does It | Oli Silk | D Minor | 6 | 7A | 150 BPM | ||
| The Journey | Nick Colionne | B Minor | 6 | 10A | 125 BPM | ||
| Get out Claws | Oli Silk | B♭ Minor | 5 | 3A | 132 BPM | ||
| Jam It | Ragan Whiteside | F Minor | 5 | 4A | 100 BPM | ||
| Midnight In Madrid | Joe McBride | F Minor | 6 | 4A | 96 BPM | ||
| Inside Myself | Art Porter | A♭ Major | 6 | 4B | 170 BPM | ||
| Steppin' Out | Paul Taylor | F Minor | 7 | 4A | 97 BPM | ||
| Captivate Me | Riley Richard | C Major | 8 | 8B | 93 BPM | ||
| You Were There For Me | Nick Colionne | F Major | 4 | 7B | 75 BPM | ||
| In Motion | Jonathan Fritzén | B♭ Minor | 6 | 3A | 98 BPM |